Search Keyword: Total 11 results found.
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2006. ARTISTS / INTERVENTIONS / LINKS

Arnoud SchuurmanTranslucid View        www.arnoud.is.dreaming.org

Chus García FrailePost it        www.chusgarciafraile.com

Virginia Corda + Maria Paula DobertiAccidentes urbanos        www.virginiacorda.com.ar www.mariapauladoberti.com.ar

Gustav HellbergPulsing Path: una visión ambigua        www.gustavhellberg.com

Lorma MartiBlend Out    Stefano de Martino+ Karen Lohrmann    www.lormamarti.com

Nicole Cousino + Chris VecchioSpeakhere!        www.ncousino.comwww.noisemantra.com

Tanadori Yamaguchi + Maki Portilla-Kawamura + Key Portilla-Kawamura + Ali Ganjavian    Locutorio Colón        www.tadanori.desorde.net/www.studio-kg.com/studio-kg.com

Tao G. Vrhovec    Reality Soundtrack    www.realitysoundtrack.org    www.taogvs.org

Tere Recarens    Remolino        www.tererecarens.com    Wilfredo Prieto    Ouroboros        www.wilfredo-prieto.com

 

 

 

 

 

06prta0818

2006. DISCUSSION PANELS / 2 feb (video)

 Thursday, February 2nd 6pm to 9pmPRESENTATION OF THE MADRID ABIERTO 06 PROJECTS

Place: La Casa Encendida (Ronda de Valencia nº2)Selection carried out by Eva González-Sancho, director of FRAC Bourgogne.Moderates: Ramon Parramon

1Ramon Paramon (presentation)00:00 – 03:00

Virginia Corda y Maria Paula Doberti. Accidentes Urbanos.03:00 – 19:00

Nicole Cousino en colaboración con Chris Vecchio. Speakhere¡ 19:00 – 29:50

Gustav Hellberg. Pulsing Path-ambiguous vision. 29:50 – 43:08

Colectivo Lorma Marti. Blend out. 43:08 – 53:30

Tere Recarens. Remolino. 53:30 – 56:06

Arnoud Schuurman. Translucid View56:06 – 1:01:02

    

 

2Arnoud Schuurman. Translucid View00.0    – 01:30

 

 

3Tao G.Vrhovec. Reality Soundtrack. 00:15 – 09:00

Maki Portilla-Kawamura, Key Portilla-Kawamura, Tadanori Yamaguchi y Ali Ganjavian. Locutorio Colón.09:00 – 26:36

Wilfredo Prieto. Ouroboros. 26: 36 – 29:28

TALKS AND ROUND TABLES

Ramon Paramon (presentation of the interventions by Jorge Díez, El Perro and Javier Avila)32:35 - 34:48

Jorge Díez: Director of Madrid Abierto. From 2004 to 2005 he was General Secretary of Cultural Management and Promotion of Castilla-La Mancha (Secretario General de Dirección y Promoción Cultural de Castilla-La Mancha).34:48 – 47:44

El Perro: Group of visual artists (Pablo España, Iván López y Ramón Mateos). From 1997 to 2002 they organised the public art exhibition, Capital Confort in Alcorcon. Took part in the organisation of MAD 03 - Arte público. 47:44 – 1:01:03

 

4El Perro: Group of visual artists (Pablo España, Iván López y Ramón Mateos). From 1997 to 2002 they organised the public art exhibition, Capital Confort in Alcorcon. Took part in the organisation of MAD 03 - Arte público. 00:00 - 01:39

 

5El Perro: Group of visual artists (Pablo España, Iván López y Ramón Mateos). From 1997 to 2002 they organised the public art exhibition, Capital Confort in Alcorcon. Took part in the organisation of MAD 03 - Arte público. 00:00 – 13:30

Javier Avila: Art critic and exhibition organiser. He has promoted and managed numerous editions of the Periferias project in the city of Gijón.d de Gijón.13:30 – 28:00

Round table28:00 – 48:36

 

 

 

 

 

 

 

06mdvc0788, 06mdtb0811

2006. Tere Recarens. REMOLINO (proposed location)

 Technically, “Remolino" should be in an indoor environment or protected from rain or acts of vandalism (due to the fragility of its materials). Anyway, in order to place the piece, I am willing to check different possibilities and adjust it to some suggestive location, like a hall or lobby of a building.

 

 

 

 

 

06prtc3483

2006. Tere Recarens. REMOLINO (technical data)

 ASSEMBLY SYSTEM AND TECHNICAL REQUIREMENTS

To build “Whirl” we will need a motor similar to the one used in revolving doors, which is activated when people walk through them. This motor would be embedded in the axis of the piece. I would need a technician to do it.

The four doors are united to the axis and the system is thought of as a collapsible piece. The structure of the doors is made of wood and drawings should be made of translucent materials. It is convenient that these stands will be as light as possible.

If “Whirl” should be a piece independent from space (in case we wouldn’t be able to make a hole in the floor or ceiling), in the lower part of the axis there should be a metal piece to provide balance.

The budget that I present has been studied in Barcelona with a specialist in works.

MEASURES

3, 60 m. diameter 2, 50 m. high

 

 

 

 

06prtc3482

2006. Tere Recarens. REMOLINO (theoretical data)

 "Remolino" is a turning door similar to those we find in airports or shopping centers, which moves with the help of a motor. Self-made, it uses the basic necessary (motor and metal base) materials and the glass has been exchanged for wooden frames and transparent plastic.

I will draw a series on different subjects; everyday experiences, comical and social situations.on each of the 8 sheets of the door: In such a way that the pedestrians will have to follow the pictures to see them, but there will also be other pictures following the pedestrians.

If the pedestrians want to see all the pictures, they will have to go around it at least 4 times.

In this installation, as in others I have already done, the audience is a major factor. We are used to stop in front of one or several drawings, but in this case the drawings will have their own rhythm.

“Remolino” is a project that completes a cycle of works that began when I started living in Berlin. Starting off with “He”, a video in which I invited the Germans to breath out of a helium balloon, “Besenrein” the highest jump I have ever done, cleaning clouds with a broom while skydiving, in “19th of March 2014” two containers will be opened in that same date as if they were the prints of a nose dive landing; then, the rebound, which would be “Shooting star”, a pole vault in an interior patio which is photographed from the top of the building, and last, “Whirl” gets back to the earthly, that is, physical movement more than mental.

One of the qualities that I like to include in my installations is the general public, and that is just what Madrid Abierto offers.

 

 

 

 

06prtc3481

2006. Tere Recarens. REMOLINO (location)

Recoletos Renfe´s train station, central hall

 

 

 

 

 

 

06intd1000

2006. Tere Recarens. REMOLINO (published text)

 Remolino is a turning door similar to those we find in airports. Self-made, it uses the basic necessary materials and the glass has been exchanged for wooden frames and transparent plastic. I will draw a series of drawings on each of the 8 sheets of the door:

3. I ALSO HAD A GOOD FRIEND: SERVULLO4. I BROKE ANOTHER OF CHIS’S SHIRT AGAIN!

In such a way that the pedestrians will have to follow the pictures to see them, but there will also be other pictures following the pedestrians.

5. HE LIKED MY HAM6. IN THE END I THREATENED HIM: EITHER FATHER OR NOTHING!

If the pedestrians want to see all the pictures, they will have to go around it at least 4 times.

7. CHIS GOT A SHOCK8. NINE MONTHS LATER I HAD A SORE BACK

In such a way that the pedestrians will have to follow the pictures to see them, but there will also be other pictures following the pedestrians. 1. IN SUMMER, I FELL IN LOVE WITH CHRIS2. I DESIRED HIM SO MUCH I BROKE HIS SHIRT

Remolino is a turning door similar to those we find in airports. Self-made, it uses the basic necessary materials and the glass has been exchanged for wooden frames and transparent plastic. I will draw a series of drawings on each of the 8 sheets of the door:

3. I ALSO HAD A GOOD FRIEND: SERVULLO4. I BROKE ANOTHER OF CHIS’S SHIRT AGAIN!

In such a way that the pedestrians will have to follow the pictures to see them, but there will also be other pictures following the pedestrians.

5. HE LIKED MY HAM6. IN THE END I THREATENED HIM: EITHER FATHER OR NOTHING!

If the pedestrians want to see all the pictures, they will have to go around it at least 4 times.

7. CHIS GOT A SHOCK8. NINE MONTHS LATER I HAD A SORE BACK

In such a way that the pedestrians will have to follow the pictures to see them, but there will also be other pictures following the pedestrians. 1. IN SUMMER, I FELL IN LOVE WITH CHRIS2. I DESIRED HIM SO MUCH I BROKE HIS SHIRT3. I ALSO HAD A GOOD FRIEND: SERVULLO

 

 

 

 

 

06intc0986

2006. Tere Recarens (Cv)

BARCELONA, 1967LIVES AND WORKS IN BERLÍNWWW.TERERECARENS.COMWORK EXPOSED IN MADRID ABIERTO: REMOLINO

SOLO EXHIBITIONS (SELECTED)2005·    T’Team. Galería Toni Tàpies, Barcelona 

2004·    Shooting Star. Galleria Maze, Turin·    Blind Man’s Bluff. Invaliden I, Berlin·    19 mars 2014, Centre Art Santa Monica, Barcelona 

2003·    Finger Flip. Parker’s Box, New York 

2002·    ¿Cuándo vuelves? Galería Toni Tàpies, Barcelona 

2001·    The 8 mistakes. Galleria Maze, Turin 

2000·    I was ready to jump 1999. A/D Werf Festival, Utrecht·    In love. Collaboration with Elena del Rivero. Galería Javier López, Madrid 

1999·    Ethereal. Hal, Antwerpen 

1997·    Prisse de Terre, ART 3. Centre Contemporain d’art, Valencia 

1996·    Terremoto. Capella de l’Antic Hospital, Barcelona

GROUP EXHIBITIONS (SELECTED)2005·    Gravity, De Appel, Amsterdam ·    Sessió Contínua, CCCB, Barcelona·    I'm travellin' light... No, no, you don’t travel light. Tindersticks'95. Gallery Spacement, Melbourne·    La problemática de la producción iberoamericano, Centro Cultural de España, Montevideo·    3rd Biennial Art Show. Arte Lanzarote 2005, Centro Insular de Cultura El Almacén, Lanzarote·    Standards of Reality. Ben Maltz Gallery, Los Angeles·    X Anniversaire Triangle Artist. Friche Belle de Mai, Marseille·    Background II. Galería Horrach Moya, Palma de Majorca·    Throb. Parker’s Box, New York·    La insurrección invisible de un millón de mentes. Sala Rekalde, Bilbao 

2004·    Video-Zone2. 2nd International Video Biennial, Tel Aviv·    Plain Sight. Bloomberg Space, London·    Sur la bonne pente. Galerie Anne Barrault, Paris·    Summer Shorts (Fear of Flying). Parker’s Box, New York·    Looking Further, Thinking Through. Listasafni Reykjavíkur at the Reykjavik Art Museum, Reykjavik 

2003·    Old habits die hard. Sparwasser HQ, Berlin·    SMP. Betanien KunstHaus, Berlin·    Doble Seducción. Sala Amadís, Madrid·    Stand by. Centro de Arte Laboratorio Alameda, Mexico·    Monocanal. Museo Nacional Centro de Arte Reina Sofía, Madrid 

2002·    Projectes 7.2. Centre d’art Santa Mònica, Barcelona·    Open House. Casino Luxembourg, Luxembourg 

2001·    Ironia. Fundació Joan Miró, Barcelona; Koldo Mitxelena, San Sebastián·    ARCO. Caja Madrid, Madrid·    Puntos de encuentro 01. Cruce, Madrid·    BOOM! Play Makers, Manifactura Tabacchi, Florence·    Vostè està aquí. Trienal de Barcelona, Palau de la Virreina, Barcelona2000·    Triangle artists workshop. World Trade Center, New York·    El espacio como proyecto, el espacio como realidad. 26th Pontevedra Art Biennial 

1999·    Program Studio. PS1 & Clock Tower, New York·    Subway outside. Artists Space, Swiss Institute, New York

GRANTS AND AWARDS (SELECTED)2004·    Fundación Marcelino Botín scholarship, Santander 

2003·    Beques a l’estranger per artistas. Scholarship granted by Generalitat de Catalunya, Catalonia 

2002·    Studio Kaus Australis (Hangar), Rotterdam 

1999·    PS1 Contemporary Art Center. Program Studio, New York 

1997·    Art 3. Centre Contemporain d’art, Valencia 

1994·    3eme Cycle Ecole d’Art Luminy. Marseille 

1992·    École d’Art de Grenoble. Generalitat de Catalunya

 

 

 

 

 

06prtb0836

2006. Tere Recarens. REMOLINO (visual data)

2006. Tere Recarens. REMOLINO (visual data)

    

     

 

 

 

 

 

 

 

06pric0898

2006. Tere Recarens. REMOLINO (images)

2006. Tere Recarens. REMOLINO (images)

 

       

       

Photos: Alfonso Herranz

 

          

          

Photos: Gabriel Andrés

 

 

 

 

 

 

06inic0983, 06inic0984