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2007. Jorge Díez. PRESENTATION

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez







2007. Carolina Jonsson (Cv)


EDUCATION2006·    Master of Fine Arts. The Art Academy of Trondheim NTNU, Trondheim, Norway2004·    Art in common space. The Faculty of Art and Arcitecture NTNU,Trondheim, Norway2001·    Bachelor of Fine Arts. The Art Academy of Trondheim NTNU, Trondheim, Norway2000·    Gerlesborgskolan. Stockholm, Sweden1999·    Basis konstskola. Stockholm, Sweden1998·    Narratology. Skövde university college, Sweden·    Artscience. Skövde university college, Sweden1996·    Graphic design and illustration. RMI-Bergs Institute of Marketing Gothenburg, Sweden

GROUP EXHIBITIONS2006·    Liljevalchs vårsalong Konstrea. Liljevalchs Stockholm, Sweden·    Film9. Arbetets Museum Norrköping, Sweden

2005·    En siste utstilling. Et Stunt gallery, Trondheim, Norway·    Apropos. Bachelorexhibition, Kit-gallery,Trondheim, Norway·    Trøndelagsutstillingen. Trøndelag Senter før Samtidskunst  Trondheim, Norway

2004·    Fabrikken. Kit-gallery, Trondheim, Norway·    Galleri SG. Trondheim, Norway·    Trøndelagsutstillingen. Trøndelag Senter før Samtidskunst  Trondheim, Norway

2003·    Tre unga konstnärer. Ravlunda Bränneri Ravlunda, Sweden

FESTIVAL SCREENINGS2006·    ”Rest”, Femmina 2006 Film festival Verdal, Norway·    Minimalen. Kortfilmfestival, Nova kinosenter Trondheim, Norway

2005·    Impact festival 2005 Videodictionary,TheVideoArtFoundation Utrecht, Holland·    "Pineapple turns important” Members club, BIT Teatergarasjen  Bergen, Norway

2003·    Image Forum Festival. VideoDictionary Tokyo, Japan

PROJECTS2006·    ”Levanger sessions: recordings and remixes” The DJ-project 2006-07 Levart Levanger, Norway

1999·    Project in public space Toljö äldraboende. Lidköping, Sweden

GRANTS2003·    Cedergrenska Zetterbergska uppfostringsfonden. Sweden










2007. Carolina Jonsson. REST



The day as a timevariable has ceased to be important. Her contact with the surroundings are decreasing. Each moment is to be and in this she finds plesaure.











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