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2007. Jorge Díez. PRESENTATION

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez

 

 

 

 

 

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2007. Tanja + Zvonka (Cv)

TANJA VUJINOVICLOZNICA, SERBIA, 1973LIVES AND WORKS IN LJUBLJANAWWW.EXSTAT.ORG

ZVONKA SIMCICLJUBLJANA, 1963LIVES AND WORKS IN LJUBLJANAWWW.ZAVOD-CCC.ORG/INDEX.PHP?PAGE/ZVONKA

THEY HAVE BEEN COLLABORATING IN DIFFERENT PROJECTS SINCE 2003 TILL 2006WORK EXPOSED IN MADRID ABIERTO: PLLUX06- AV DECOMPILATION

INDIVIDUAL EXHIBITIONS (SELECTION)2004·    Plasma by Stigmata, AlphaKlub, Vienna, Austria·    Cryo.Plasma, Media Nox Gallery, Maribor; Jazzbina Club, Ljubljana, Slovenia and media campaign

2003·    Hardbody, Gallery of Contemporary Art Celje and The Gallery of Fine Arts Slovenj Gradec, Slovenia·    Training Pattern, Media Nox gallery, Maribor * Edgeward  (with D. Sambolec), Cultural Center Rex, Belgrade

GROUP EXHIBITIONS AND FESTIVALS (SELECTION)2004·    Radical Positioning, Pavel Haus, Laafeld, Austria *·    Grenzenloss 2004, Austrian Parliament, Vienna, Austria

·    Ctheory Multimedia, NetNoise (http://ctheorymultimedia.cornell.edu/four.php)

2002·    Projected visions, Mylos, Thessalonique, Greece·    Projected visions, Center ATA for Contemporary Art, Sofia, Bulgaria·    Projected visions, Kamera Cinema, Karlsuhe, Germany 2002 Projected visions, Museum of Contemporary Art, Belgrade, Serbia & Montenegro·    The Sixth International Video Festival Videomedeja, KCNS Gallery, Novi Sad, Serbia & Montenegro·    FIFTITU, XX-change, Linz Fest 2002, Linz, Austria·    DNArt, Gen.Ethik und Visionen, Kunsthaus Meran, Italy·    Majority Rules (first part), Free Gallery, Glasgow, Scotland ·    FREE MANIFESTA, Manifesta4, European Biennial of Contemporary Art, Frankfurt, Germany·    International video and electronic arts festival, VIDARTE 2002, The National Council for Culture and Arts, Mexico City, Mexico·    22 Memorial Nadezde Petrovic, Cacak, Serbia & Montenegro·    City of Women-International Festival of Contemporary Arts, Ljubljana, Slovenia·    Liberarti, Liverpool's free arts Festival, Liverpool, England

2001·    Woman's room - Woman's view, Paromlin, Zagreb, Croatia·    Videofilms from Slovenia, Trafo, Budapest·    Projected visions, Museum of Modern and Contemporary Art, Strasbourg, France

 

 

 

 

 

 

 

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2007. Tanja + Zvonka. PLLUX06- AV DECOMPILATION

FORMAT: AV DECOMPILATION LENGTH: 2:01 MINYEAR: 2006PRODUCTION: AUTOMATAPLL06-1, 2,30 MIN./ PLL06-2, 6,04 MIN. / PLL06-3, 1,28 MIN. / PLL06-4, 1,50 MIN. / PLL06-5, 1,57 MIN. / PLL06-6, 1,14 MIN. / PLL06-7, 2,01 MIN. / PLL06-8, 1,57 MIN.

 

        

        

Eight pieces consist of sound and visual interferences made through deconstructive methods of working with digital signals.

Eight audio video pieces are a collection of acoustic and visual interferences made through deconstructive methods of working with digital signals. Initially those signals were made through the processes of conversion of audio to video and vice versa or by a plain synthetic digital signal routed through audio and video amplifiers within the various software applications like max/msp, pd and similar. These fluid sonic spaces co-create physical locations where they are presented.

 

 

 

 

 

 

 

 

 

 

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