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2007. Jorge Díez. PRESENTATION

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez







2007. David W. Halsell. FUNKENSPIEL.

CREDITS AND TECHNICAL DATASoundwork by: DAVID W. HALSELLTitle: FunkenspielFormat: stereoLength: 3:57, 3:41, 2:02 min Year: 1995


Name Play Size Duration
No items to display


DESCRIPTIONFunkenspiel is a noise/music composition consisting entirely of recordings of shortwave radio, spacecraft transmissions, and atmospheric phenomena. At times both ethereal and unsettling, Funkenspiel includes repetitive rhythms, bursts of noise, and undulating radio static. A prominent feature in the source material is the use of “number stations”– repetitious coded vocal messages of unidentified origin, transmitted via shortwave bands (see the Conet Project at These broadcasts are supposed covert transmissions by various state intelligence agencies to field operatives.

Natural and man-made radio waves envelope us constantly, generating variable definitions and meaning of what is signal and what is noise. Funkenspiel thematically considers the politics of control in information transmission, the interplay and significance of noise in a sonic environment, and the metaphorical implications of the body/voice being awash in a constant flow of encoded information in radio signals.

The title of the work is a variation on “funkspiel” (radio-play), a technique used in WWII by both German and Russian forces in which foreign agents and transmitters were manipulated into treasonous activities; “funkenspiel” can be translated literally as transmitter-play or spark-play.











07sotb1431, 07sotc1441, 07sose1475

2007 / 2007.02.19. RN3. La ciudad invisible (Jouni Tauriainen, David W. Halsell)

Name Play Size Duration
La ciudad invisible. Jouni Tauriainen, Am I Walking. David W. Halsell, FUNKENSPIEL (19.02.2007)
54.9 MB 1:00:00 min









2007. David W. Halsell (Cv)


David Halsell is a multimedia artist who has periodically worked with sound for two decades. While primarily interested in the nature and development of our consciousness in his installations and video, questions regarding the mutable definitions of noise become central with his audio work. Currently, Halsell is an MFA candidate in interdisciplinary art at Carnegie Mellon University.

EDUCATION2007    ·    MFA. Interdisciplinary Art, Carnegie Mellon University.2004    ·    BFA. Sculpture University of Washington (cum laude).

SOLO EXHIBITIONS2006        ·    Undergrowth, UC Gallery, Carnegie Mellon, Pittsburgh, USA.·    Resurgency, Fe Gallery, Pittsburgh, USA.

GROUP EXHIBITIONS, SCREENINGS & PRFORMANCES   2007        .       Madrid Abierto 2007, Madrid, Spain.

2006    ·    Digital Art Weeks 2006, ETH Zürich (Swiss Federal Institute of Technology),           Zürich, Switzerland.·    Showing Signs of Life, Future Tenant Gallery, Pittsburgh, USA.·    Spark Festival of Electronic Music and Art, University of Minnesota, Minneapolis, USA.

2005    ·    Control Acoustics, Zeppelin 2005 Sound Projects Festival, Centre de Cultura Contemporànea de Barcelona, Barcelona, Spain.·    Vaguely Positive, Future Tenant Gallery, Pittsburgh, USA.·    inkJet, Artist Image Resource, Pittsburgh, USA.

2004        ·    BFA Thesis Show, Jacob Lawrence Gallery, Seattle, USA.

2003         ·    Redmond Outdoor Sculpture Exhibit, Redmond, USA.·    Spheres: The 2003 UW Summer Arts Festival, Seattle, USA.·    11 Artists-11 Digital Videos, Jewelbox Theater, Seattle, USA.·    Finding Patterns In Chaos, Mohala Arts Gallery, Seattle, USA.

2002        ·    Surveillance, Richard Hugo House, Seattle, USA.·    NewMusicWest Festival, Vancouver, B.C., Canada.

PUBLICATIONS·    “Autopoiesis: Science and Systems in Technological Art,” a minima, no.13, 2005, 132-7.·    “Autopoiesis,” NY Arts, Vol.11, no. 3/4, 2006, 77.

BIBLIOGRAPHY·    Kurt Shaw, “Lawrenceville Crawl,” Pittsburgh Tribune-Review, July 13, 2006, TicketSection, 15.