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2007. Jorge Díez. PRESENTATION

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez







2007. Mauricio Bejarano. DENSE POSTCARD

Year: 2006 / Format: CD Audio Stereo / MURCIÉLAGO’s studio production in Bogotá, Colombia


Name Play Size Duration
6.8 MB 9:51 min

 Interwoven sonorous images between Madrid and Bogota, between Spain and Columbia: sonorous features of both cities: bells, sirens, voices, murmurs; the Madrid metro and the anachronistic and nostalgic train that crosses Bogota, the Retiro park and the Simón Bolívar park, the markets of El Rastro and El Pasaje La Macarena; urban music, Galician bagpipes played in Madrid and coastal papayera bands on Bogota’s seventh street; the ocean that joins us, the Atlantic Ocean in Cadiz and the plane journey to Europe; the water fountain in Plaza Colon and the Andine downpours and thunder in  Bogota, urban waters and wild waters; cattle bells of sheep crossing Madrid and a  combination of music for voice and régale organ played in the El Retiro’s metro station with Amazonian fauna, leaf hoppers, cicadas, frogs, parrots, spider monkeys and the song of the native birds of Madrid.

Madrid - Bogota is a hybrid sonorous landscape, interwoven and set in the radial scene, freed from its geography and causal events. Acousmatic and radiophonic listening of sonorous cultural images, of common geophonies. This phonographic and radiophonic piece conjures reflections on La Radia of the futurist poet Tomasso Marinetti, as a brief homage to the Drama of Distances.







07sotb1435, 07sotc1449, 07sose1481

2007 / 2007.02.05. RN3. La ciudad invisible (Mauricio Bejarano, Paul Devens)

Name Play Size Duration
La ciudad invisible. Mauricio Bejarano, Postal densa. Paul Devens, Alkaline (05.02.2007)
54.9 MB 1:00:00 min









2007. Mauricio Bejarano (Cv)

BOGOTÁ, 1955 LIVES AND WORKS IN: BOGOTÁWORK EXPOSED IN MADRID ABIERTO: POSTAL DENSA. POSTAL SONORA. MADRID-BOGOTÁAssociate professor, Music Conservatory, National University of Colombia; researcher and creator of electro-acoustic music and sonorous art. Invited to creation studios and festivals in Berlin, 2001; Vienna, 1992; Brussels, 1996; Montreal, 1996-1997; Winnipeg, 2004; Colombia, since 1988; Madrid, 1994, 1996 and 2000; Paris, 1994, 1997, 1998 and 2001; Lyon, 1998; Bourges, 1993-1994; Arras, 1996; Crest, 1996; Perpignan, 2001; Amsterdam, 2000; Mexico, 1999, 2006; Montevideo, 1993; Stanford, 2001 and Denton, 1999, 2001. Studied electroacoustic composition in Groupe de Recherches Musicales, GRM, in Paris, with François Bayle, Francis Dhomont, Jean-Claude Risset and Daniel Teruggi; and in Bogota with Stèphane Roy, Michel Zbar and John Chowning.

He has received the following prizes, 4th International Competition for Acousmatic Music Composition, Noroit 95, France; 1st Toy Showroom, Bogota 1996; National Creation Grant in Sonorous Art, Ministry of Culture 1996 and National Composition Prize, Ministry of Culture, 2003.

He has realised various sonorous installations, namely, in the Modern Art Museum of Bogota (1996), National University Art Museum (2004, 2003, 2002, 1998), Planetario Distrital (1995), Gilberto Alzate Foundation (1996) and National Exhibition of Artists (2006, 2005, 2004, 1992). Work published in Chodes-Bogotá, Institute of Pataphysical studies of La Candelaria, Spain and Colombia (2006); Music in the nineties. Art in the Nineties collection. Book and CD, Faculty of Arts. National University. Bogota (2004); National Prizes for Music in Composition, 10th edition of National Prizes for Culture (2003). CD, Ministry of Culture. Bogota (2004).  “Mind the Gap no. 43”, GC 049. The Netherlands, Belgium (2003); Parr(A)cousmatique. CD, empreintes DIGITALes. IMED 0264. Montreal, Canada (2002); en el sitio... Conjuntos del Conservatorio Collection. CD. National University. Music Conservatory. Bogota (2002); Bogota, sonorous landscape. 12 postcards and 5 silences. CD. Goethe Institut, Administrative Department for the Environment and Murciélago, Sonorous Museum. Bogota (2000); 33 years of Columbian Electroacoustic music. 1965-1998. Columbian Electroacoustic Community. CD, E.C.O. 01. Bogota (1998); 4 – Prix International Noroit 1995 de composition musicale acousmatique. CD, NOR 4. INA-GRM. Paris (96).

In 1998 he founded the sonorous museum ‘Murciélago’, dedicated to research, collection, conservation, creation and design of sonorous objects and landscapes.