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2007. Jorge Díez. PRESENTATION

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez







2007 / 2007.02.27. RN3. La ciudad invisible (Zurine Gerenaberria, Sonia Leber + David Chesworth)

Name Play Size Duration
La ciudad invisible. Zurine Gerenaberria, Bihotzbi. Sonia Leber y David Chesworth, Reiterations (26.02.2007)
54.9 MB 1:00:00 min









2007. Zuriñe Gerenaberria (Cv)

LIVES AND WORKS BETWEENVITORIA-GASTEIZ, DONOSTIA-SAN SEBASTIÁNWORK EXPOSED IN MADRID ABIERTO: BIHOTZBIVITORIA-GASTEIZ, 1965   With an interest in music and painting, Zuriñe chose the latter for her academic studies. She studied composition with C. Bernaola in the Music Conservatory Jesús Guridi (Vitoria-Gasteiz), which proved to be a determining encounter, and she was subsequently awarded a grant to further her studies with F. Donatoni in Milan’s Scuola Civica where she made contact with the composers of the Italian contemporary school. She attended the seminars of Darmstadt, IRCAM , LIEM, ARTIUM, iMAL... 

Orchestrator of various films, she composes for advertising, theatre, animation, etc.  She is the author of the book-cover Presencias y Ausencias by Marisa Manchado (published by Endymion) and, in turn, producer of the videos Xera y Sortze, framed within the “1st Digital Art Competition of Sta. Mª de Guía” (Santa María de Guía, Gran Canaria).

She continued her composer trajectory developing new creation aspects based on generation and manipulation using electronic devices and mixed techniques, producing works of different formats, such as, musical theatre, sonorous performances and installations, in works like: Luz, The Hanged man, Astiro-Astiro, Esan Amandrie, Oihuka, Xurrumurruak, BihotzBi, HiruHotz, Zehiar, Azalpean, the musical action-workshop for children (puppets, music and electroacoustics) Ozendu and multidiciplinary shows like Hutsune Irudigarri, En busca del silencio, A contra luz (saxo, dance, sensors and electronics live) and the contemporary dance performance Cuatro por Cuatro with the company Michelle Man and Friends.

She has been commissioned work by several institutions, for example,: INAEM (Ministry of Culture), CDMC, Basque Government,  Quincena Musical, Federación Coral de Álava, The Symphonic Orchestra of  Euskadi.

Her catalogue includes work of different instrumental formations framed within national and international festivals, like:

Musikaste, Jornadas Música Electroacústica, Música del Siglo XX, Vitoria Territorio Visual (Vitoria-Gasteiz), National Auditorium, Concerts in the Reina Sofia Museum M.N.C.A.R.S., Jornadas de Informática y Electrónica Musical, Perspectivas 96 (Madrid), Concert Season, Symphonic Orchestra of Euskadi , Muestra Internacional de Música de Mujeres (Autor Foundation), Music of the 20th Century (Bilbao), Inauguration Concert for the Guggenheim Museum (Bilbao 1997). ENSEMS Festival, Quincena Musical, Festival Internacional de Música y Danza de Granada, Biennale dei Giovani Artisti dell’Europa, Spanish Academy (Rome),  Shyntèse Festival (France),   Sibelius Academy (Finland),  Groggia Theatre (Venice), Festival Músicas del Quinto Pino (Leioa), XX Edición Festival Madrid en Danza, Juan March Foundation, University of Milan, Kleiner Konzertsaal (Munich), Poland, Hungary, Dublin, London, Ljubljana...

Her recorded work can be found in various collective records.

She currently combines her creation work with teaching counterpoint and harmony at the Centro Superior de Música of the Basque Country (MUSIKENE).