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2008. Yolanda de los Bueis (Cv)


EDUCATION2004·    MA in Digital Moving Image, London Metropolitan University. ·    Distinction. London, United Kingdom1992·    Postgraduate Diploma in Painting, St. Martins College of Art & Design, London, United Kingdom1990·    BA in Fine Arts, University of the Basque Country. UPV/EHU. Bilbao, Spain

AWARDS AND GRANTS2004·    Plastic Arts Subsidy from the Government of the Basque Country for the production and distribution of the short film “6 or 7 wot is its”. Spain

2002·    Subsidy from the Arts and Humanities Research Board of the United Kingdom and Plastic Arts Grant from the Regional Government of Vizcaya to study for an MA in  Digital Moving Image at the London Metropolitan University. United Kingdom

VIDEO FESTIVALS AND EXHIBITIONS2006·    Eggs side dish. Girona Film Festival, Spain and Halloween Shorts Film Festival in the ICA, London·    Los 60. Experimental animation short film (selection): Girona Film Festival and L'Alternativa Independent Film Festival of Barcelona, Spain; Encounters Short Film Festival. Bristol, Destricted Film Festival at the ICA, London, Portobello Film Festival, London, United Kingdom·    Launch of the book and DVD animate! at the Curzon cinema, London, United Kingdom, Curtas Vila do Conde Film Festival, Portugal, MadCat Women’s International Film Festival. San Francisco, USA and Videoformes, France

2004·    6 or 7 wot is its. Experimental animation short film (selection). Raindance East Film Festival, London, Halloween Shorts Film Festival at the ICA, London, United Kingdom, Edinburgh International Film Festival, Scotland·    Part of the specific installation in the Sala Rekalde, Bilbao, Rencontres Internationales Sciences et Cinémas. Marseille, France, ZEMOS’98, Sevilla, Spain, Curtocircuito, Santiago de Compostela, Spain, prog:ME Festival of Electronic Media, Rio de Janeiro, Brazil, Videolisboa International Festival, Portugal, Visionaria. Sienna, Italy, International Festival of Short Films (FIB). Benicassim, Valencia, Spain, Independents’ Film Festival, Florida, USA

FILM AWARDS2007·    LOS 60. Award Winner for Digital Effects at the Sidney Underground Film Festival, Australia·    Eggs side dish. Award Winner in the Independent Category of Experimental Film. Independents' Film Festival. Florida, USA·    His iTV. D 4 awarded. Montehermoso Cultural Centre, Vitoria, Spain

2004·    6 or 7 wot is its. Top 50 in the International Media Art Award 2004: invisible \\ art_science. Center for Art and Media in Karlsruhe (ZKM). Germany in collaboration with SWR, Swiss Television SF DRS and the Art Channel·    From 2000 to date she has executed different freelance design contracts for printing, web and DVD, 3D graphic art, digital moving image design and video editing, for corporate clients and design agencies.

1999 - 2000 ·    Sponsored by SONY Europe to produce, a web travelog project with video features created the year I travelled round the world.

1996 - 1999 ·    Web designer in Dennis Publishing, Consumer magazines publishing house – the period I performed the project “Webcam en la oficina”. London.·    1995 - 2000 co-founder of the artistic association Reacción/Erreakzioa which I collaborated with in different Media and Art activities, including “fanzines y video–zines.”

1990 - 1995 ·    Painting exhibitions in different galleries, such as Alternative Art Galleries and The Mall Galleries in London.

1995 ·    Digital art exhibition and commission of CD Rom catalogue of the exhibition "Digital Art'95" in The Mall Galleries, London.















2008. INTERVENCIONES TV (every audiovisual work)

Audiovisual works belonging to the 2007 edition of INTERVENCIONES TV competion, which formed part of the MADRID ABIERTO 2008 program.This video was screened on Metro tv channel.




Synopsis: “…in a planet governed by women, men might even end up feeling threatened and vulnerable.”

I have redirected a series of images based on the idea of détournement, in the sense of uprooting aesthetic artefacts from their original context and diverting them towards contexts of one’s own creation. Based on the philosophy that any idea is susceptible to becoming something else, even its opposite, the entire piece would become a displacement of meaning exercise, as of the iconic and semantic elements that we attempt to dismantle.


Itziar OkarizMC CARREN + PULASKYMcCarren. 2007. static photo and voice in off. 00'56''Pulasky. 2007. static photo and voice in off. 00'41''

 McCarren is an attempt to represent a real landscape through the elements that remain on the margins of the field of vision of documentary convention. The story is a verification of a series of trivial objects that succeed one another in the landscape and are an indispensable part of a concrete experience of the place.

Pulaski establishes a connection with a place, the bridge, through the description of a past occurrence that lacks importance to any other person. It makes visible the rear part of the adverting apparatus of the billboards on the sides of the road.

They both address the subjective experience of different urban spaces.


Mabi Revuelta4 HORAS Y 56 MINUTOS2007. DVD. Colour. Pal. Estéreo. 1'54"

Internet is becoming the audiovisual home of many users, like an independent republic against conventional television. Even so, 4 hours and 56 minutes is our new television consumption record.

In the form of advertising zapping, Mabi Revuelta reflects on the future and meaning of current TV: the analogical signal against alternative on-line systems; passive advertising consumption vs. digital interaction.


Mikel Arbiza of Perros Callejeros Films   SKATEBOARDING DESDE EL CORAZÓN2006 > 2008

Second video for the company Parafernalia Skateboards ( where we can see the company’s team (Diego Doural, Blayney Hamilton and Mischa Canibal) skating with a lot of friends (Mathieu Dupuy, Dani Pérez, Samuel Dorregaray, Cristian Cortizo, Ibai Larralde, Pablo Rivera, Mateo Rotaetxe, Juanma Fernández, Iñaki Guantxe, Alain Saavedra, and others.)

The three promotional pieces ‘teasers’ presented in Madrid Abierto were specifically prepared for the competition Intervenciones TV. The long video will be finished in the course of 2008.


Andrew SeniorPUBLIC INANITY + PRIVATE INSANITY-24 HOURS2007. DV 720x576. PAL. Colour. Stéreo. 01'07''

Public Inanity reflects upon the intrusion of television into our public spaces as endlessly repeating loops of trivial content assail us from street corners. Private Insanity takes 24 hours of television and compresses both sound and images in a crescendo of sensory overload.


Maya WatanabeAUTORRES2005. 1'15". Performed by: Maya Watanabe. Camera: Martín Guerra

Autobiographical piece which borrows film dialogues which are edited, mixed and reassembled to create a narration with a new meaning.


Raúl Bajo IbáñezLA PIEL DEL LOBO2007. 3'45". Mini dv

Synopsis: " a planet governed by women, men might even end up feeling threatened and vulnerable."

La piel del lobo is a video that reflects on our concept of reality, built on the base of the images fed to us by the audiovisual media. The reality simulations gradually woven around us by the media have managed to irremissibly trap us, incapacitating us to differentiate the real, multi-form, ubiquitous and intangible reality. Trapped in this network of images, we are easy prey to its constant economic, physical, emotional and political manipulation. This video is a small contribution towards media resistance, an incitement to alter the rules of the game: the lambs will rebel, hunt the wolf down and strip its skin.


Yolanda de los BueisHIS ITV2007. PAL. 4:3. Colour Stereo. 03'18". Camera: Miles Tudor. Old man: Yolanda de los Bueis

Part I and IIIThere is a private eye in a public space.There is a public eye in a private space.There is a space that is neither private nor public.A public solitude.

Part IICertain disturbing fragments are recognised in an instant, but neither with sufficient sharpness nor time to be able to make a judgement. Their material and aesthetic features act as catalysts of desires, evoking a sense of the perverse or summoning fantasies.


Furallefalle-FAF (Vanesa Castro + Iñaki López)CUÑAS TV2003. DV. 02'13"

CUÑAS TV is an audiovisual with a positivist vision of TV.

In the form of television zapping, we find various spots and ads. The spots are of a critical and reflexive nature, on sexuality and violence on TV. The ads of an absurd advertising nature, where the everyday is sold. Thus we can see Andy Warhol advertising "garlic from La Mancha", Maria Abradelo presenting an exhibitionist child or Joe Blogs advertising his depression.