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2008. INTERVENCIONES TV (every audiovisual work)

Audiovisual works belonging to the 2007 edition of INTERVENCIONES TV competion, which formed part of the MADRID ABIERTO 2008 program.This video was screened on Metro tv channel.

 

        

Estibaliz SadabaEL PLANETA DE LAS MUJERES INVASORAS2007. 3'45"

Synopsis: “…in a planet governed by women, men might even end up feeling threatened and vulnerable.”

I have redirected a series of images based on the idea of détournement, in the sense of uprooting aesthetic artefacts from their original context and diverting them towards contexts of one’s own creation. Based on the philosophy that any idea is susceptible to becoming something else, even its opposite, the entire piece would become a displacement of meaning exercise, as of the iconic and semantic elements that we attempt to dismantle.

 

Itziar OkarizMC CARREN + PULASKYMcCarren. 2007. static photo and voice in off. 00'56''Pulasky. 2007. static photo and voice in off. 00'41''

 McCarren is an attempt to represent a real landscape through the elements that remain on the margins of the field of vision of documentary convention. The story is a verification of a series of trivial objects that succeed one another in the landscape and are an indispensable part of a concrete experience of the place.

Pulaski establishes a connection with a place, the bridge, through the description of a past occurrence that lacks importance to any other person. It makes visible the rear part of the adverting apparatus of the billboards on the sides of the road.

They both address the subjective experience of different urban spaces.

 

Mabi Revuelta4 HORAS Y 56 MINUTOS2007. DVD. Colour. Pal. Estéreo. 1'54"

Internet is becoming the audiovisual home of many users, like an independent republic against conventional television. Even so, 4 hours and 56 minutes is our new television consumption record.

In the form of advertising zapping, Mabi Revuelta reflects on the future and meaning of current TV: the analogical signal against alternative on-line systems; passive advertising consumption vs. digital interaction.

 

Mikel Arbiza of Perros Callejeros Films   SKATEBOARDING DESDE EL CORAZÓN2006 > 2008

Second video for the company Parafernalia Skateboards (www.parafernalia.info) where we can see the company’s team (Diego Doural, Blayney Hamilton and Mischa Canibal) skating with a lot of friends (Mathieu Dupuy, Dani Pérez, Samuel Dorregaray, Cristian Cortizo, Ibai Larralde, Pablo Rivera, Mateo Rotaetxe, Juanma Fernández, Iñaki Guantxe, Alain Saavedra, and others.)

The three promotional pieces ‘teasers’ presented in Madrid Abierto were specifically prepared for the competition Intervenciones TV. The long video will be finished in the course of 2008.

 

Andrew SeniorPUBLIC INANITY + PRIVATE INSANITY-24 HOURS2007. DV 720x576. PAL. Colour. Stéreo. 01'07''

Public Inanity reflects upon the intrusion of television into our public spaces as endlessly repeating loops of trivial content assail us from street corners. Private Insanity takes 24 hours of television and compresses both sound and images in a crescendo of sensory overload.

 

Maya WatanabeAUTORRES2005. 1'15". Performed by: Maya Watanabe. Camera: Martín Guerra

Autobiographical piece which borrows film dialogues which are edited, mixed and reassembled to create a narration with a new meaning.

 

Raúl Bajo IbáñezLA PIEL DEL LOBO2007. 3'45". Mini dv

Synopsis: "...in a planet governed by women, men might even end up feeling threatened and vulnerable."

La piel del lobo is a video that reflects on our concept of reality, built on the base of the images fed to us by the audiovisual media. The reality simulations gradually woven around us by the media have managed to irremissibly trap us, incapacitating us to differentiate the real, multi-form, ubiquitous and intangible reality. Trapped in this network of images, we are easy prey to its constant economic, physical, emotional and political manipulation. This video is a small contribution towards media resistance, an incitement to alter the rules of the game: the lambs will rebel, hunt the wolf down and strip its skin.

 

Yolanda de los BueisHIS ITV2007. PAL. 4:3. Colour Stereo. 03'18". Camera: Miles Tudor. Old man: Yolanda de los Bueis

Part I and IIIThere is a private eye in a public space.There is a public eye in a private space.There is a space that is neither private nor public.A public solitude.

Part IICertain disturbing fragments are recognised in an instant, but neither with sufficient sharpness nor time to be able to make a judgement. Their material and aesthetic features act as catalysts of desires, evoking a sense of the perverse or summoning fantasies.

 

Furallefalle-FAF (Vanesa Castro + Iñaki López)CUÑAS TV2003. DV. 02'13"

CUÑAS TV is an audiovisual with a positivist vision of TV.

In the form of television zapping, we find various spots and ads. The spots are of a critical and reflexive nature, on sexuality and violence on TV. The ads of an absurd advertising nature, where the everyday is sold. Thus we can see Andy Warhol advertising "garlic from La Mancha", Maria Abradelo presenting an exhibitionist child or Joe Blogs advertising his depression.

 

 

 

 

 

 

 

 

 

 

 

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2008. Raúl Bajo Ibáñez (Cv)

MADRID, 1970 LIVES AND WORKS IN MADRID WWW.HAMACAONLINE.NETWORK EXPOSED IN MADRID ABIERTO: LA PIEL DEL LOBO

EDUCATION·    Bachelor's degree in Fine Arts from the Complutense University of Madrid

COURSES AND WORKSHOPS1997·    International Congress "Arte en la Era Electrónica", Contemporary Culture Centre. Barcelona. With the participation of Peter Weibel, Jefrrey Shaw, Antoni Muntadas and José Jiménez, among others·    "Arte en Internet". Directed by Zush and Yoonah Kim, El Escorial Summer Courses, Madrid

1996·    Art and Multimedia Seminar "Art y Comunicació Global".  Cultural Centre of la Caixa Foundation. Barcelona·    Workshop "Nuevas Tecnologías digitales de la imagen en el arte actual". Imparted by José Ramón Alcalá. Els Tallers de Miro. Palma de Mallorca

1992·    Course "Del guión a la realización cinematográfica". Directed by Pilar Miró and Antonio Giménez Rico. El Escorial Summer Courses, Madrid

1991·    Seminar "Espacio-tiempo, coordenadas del lenguaje cinematográfico" imparted by Miguel Picazo, Pedro del Rey Fernando Arribas, in Circulo de Bellas Artes, Madrid

AWARDS AND GRANTS1997·    Support grant for production of artistic projects. International Electrography Museum, Cuenca·    Videocreation Selection Prize.  Audiovisual Arts Show 97, Youth Institute, Madrid

1996·    Videocreation Selection Prize. Audiovisual Arts Show 96, Youth Institute, Madrid

1994–1997·    Pre-doctoral Research Grant, Complutense University of Madrid

OTHER ACTIVITIES2007 ·    Some of his videos are distributed by the international distribution company Hamaca: www.hamacaonline.net

1997·    Co-founder of "Peninsulares" Video Directory on the Web, Organisation dedicated to promoting activities and initiatives surrounding video and the web page www.peninsulares.org

1994-5·    Director of the videocreation section of the magazine " La Hora Feliz", Co-ordinator of the special monographic " La Imagen Precaria: vídeo de creación en España (aquí y ahora)"

 

FESTIVALS AND EXHIBITIONS2007·    Minima 2007, Gandia, Valencia·    Selected in Intervenciones TV 2007, Rodríguez Foundation, presentation in the Montehermoso Cultural Centre, Vitoria·    The one minute Belgian open. Ghent, Belgium·    One minute film & video Festival, Aarau, Switzerland·    Zemos 98. 9th Edition. Fuera de control, San Clemente Monastery, Seville·    Included in the Hamaca catalogue, media & videoart distribution from Spain, Barcelona, www.hamacaonline.net·    Majadahonda Audiovisual Creation Festival, Madrid

2005·    Videoformes. Manifestation Internationale Dárt Vidéo et Nouveaux Médias, Clermont-Ferrand

2004·    9th Cabra National Audiovisual Creation Contest. Córdoba·    Audiovisual Injuve 1998-2002, Sala Aamadís, Madrid·    Invideo, Spazio Oberdan, Milan, Italy·    Visual 04, Cultural Centre Carmen Conde, Majadahonda, Madrid·    Los ojos cercanos Cartografías, relatos y ficciones en torno a las imágenes como documento. La Casa Encendida, Madrid·    19th Vitoria Gastei Audiovisual Festival. Montehermoso Cultural Centre, Vitoria·    1º Finalist in Minima 2004, Theatre del Raval, Gandia, Valencia·    Viper 2004, Basel, Switzerland·    26th Montpellier International Mediterranean Film Festival, France.

2003·    Mínima 2003 vídeocurt, Theatre del Raval, Gandia, Valencia·    18th Vitoria-Gasteiz Audiovisual Festival 2003, Montehermoso Cultural Centre, Vitoria·    8th Cabra National Audiovisual Creation Contest 2003, Municipal Film Studio of Cabra, Cordoba·    25th Montpellier International Mediterranean Film Festival, France

2002·    Navarra International Audiovisual Creation Festival. Planetario de Pamplona

2000·    Pre-selection of work presented at the Youth Institute's Audiovisual Arts Show. Madrid

1999·    Presentation Peninsulares, Gallery Idearte, Madrid·    Espacio de Videocreación. Feria Arte+Sur. Granada·    Luces intermitentes. Situaciones. Faculty of Fine Arts, Cuenca

1998·    Itinerary of the 97 Audiovisual Arts Show, Argentina, Paraguay; Chile, Peru, Cuba, Bolivia, Colombia, Costa Rica, Dominican Republic·    Encuentros de Vídeo, Faculty of Fine Arts, Salamanca·    Gallery Artenet. Estampa 98 Art Fair, Madrid

1997·    Navarra Video Festival, Planetario de Pamplona·    Audiovisual Arts Show, Youth Institute, Spanish Museum of Contemporary Art, Madrid·    "En Construció, Panorama del Vídeo de Creació als Anys Noranta". Santa Mónica Art Centre, Barcelona·    Jove 97 Video Festival, Valencia Youth Institute, Valencia·    XII Vitoria Video Festival, Palacio de Villasuso, Vitoria·    Video à la carte of the 4th Barcelona Independent Video Show, Contemporary Culture Centre, Barcelona·    "Videodegradables", Video Exhibition. Sala Rekalde, Bilbao·    "Eurovídeo 97" 1st Unicaja Video Contest. Aula de Cultura de Unicaja, Málaga

1996·    Video à la carte of the 3rd Barcelona Independent Video Show, Contemporary Culture Centre, Barcelona·    Cinema Jove 96 Video Festival, Valencia Youth Institute, Valencia·    Elche Independent Film and Video Festival, Hort del Xocolater, Alicante·    Lorca 96 Video Festival, Popular University, Theatre Guerra, Murcia·    Audiovisual Arts Show, Youth Institute, Spanish Contemporary Art Museum, Madrid

1995·    Navarra Video Festival, Planetario de Pamplona·    X Vitoria Music Video Festival, Palacio de Villasuso, Vitoria·    Video à la carte of the 6th Vigo International Video Festival, Auditorium Cultural Centre Caixa Vigo, Pontevedra

1994·    Cinema Jove 94 Video Festival, Valencia Youth Institute, Valencia·    IX Vitoria Music Video Festival, Palacio de Villasuso, Vitoria

1993·    II Navarra Video Show, Planetario de Pamplona

ARTICLES AND PUBLICATIONS·    Imágenes de los límites, in VV.AA, Tèchne, Editorial Complutense, Madrid, 1998·    Electrografía e Identidad: Aproximaciones a la auto(re)presentación del cuerpo, boletín. "Teodosio 5" No. 41, Sevilla,1998·    Desarrollando estrategias: Transgresión, reflexión e independencia. Magazine "La Hora Feliz", No.4 special monographic edition on videocreation, Madrid, 1994·    El cine como arte o la mirada cándida del cine. Magazine "Imagen en movimiento" No.1. Faculty of Fine Arts, Madrid, 1992

BIBLIOGRAPHY·    Omar Kahm, "La pandilla catódica", article in El País de las Tentaciones, August, 1997·    Eugeni Bonet, "Señales de video", catalogue of the Itinerant exhibition Museo Nacional Centro de Arte Reina Sofía. Ministry of Culture, Madrid, 1995.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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