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2008 / 2008.02.21. RN3. La Ciudad Invisible (Leopoldo Amigo)

Name Play Size Duration
La Ciudad Invisible, RN3. LA MADRE - Leopoldo Amigo
5.8 MB 6:17 min

 

 

 

 

 

 

 

 

 

 

 

 

08disb2247

2008. Leopoldo Amigo. LA MADRE

FORMAT: WAV 44.100 HZ. / 16 BITS

 

Name Play Size Duration
01. Track 01
7.2 MB 5:14 min

The timbre of the voice, its breaking, fragmentation, hidden melodies, internal life and, once again, the voice.

 Constructed using a recorded text, subsequently processed with proliferation and granular synthesis systems to obtain timbre textures and polyphonies.

All the sounds that intervene in the work have been obtained from processing the voice recording which, in turn, appears in the work as a linear discourse.

The tensions between the recited text and the manipulated text establish an agonising and direct relationship between the literary image, the verbal message and the timbre play that engulfs it. From a sonorous point of view, it is all destroyed and reconstructed, just as it happens in the textual message.

 

 

 

 

 

 

 

 

 

 

 

08sotb2076, 08sotc2095,  08sose2137

2008. Leopoldo Amigo (Cv)

CUENCA, ESPAÑA, 1956 LIVES AND WORKS IN: VALENCIA, ESPAÑAWWW.MARIANTONIETA.COMWORK EXPOSED IN MADRID ABIERTO: LA MADRE

Sound workshops lecturer at the Department of Fine Arts of the Polytechnic University of Valencia, the Polytechnic University of Cartagena, the University of Castilla la Mancha and the Valencia General Society of Authors. Lecturer at the Electroacoustics Laboratory of the Higher Music College of Valencia.

Guest researcher at the Northwestern University of Chicago, Illinois. Technical Director and founder of the Gabinete de Música Electroacústica de Cuenca.

He has composed music for the exhibitions and installations of many plastic artists, namely, Miguel Molina, Emilio Martínez, Vicente Ortiz, Mau Monleon, Monique Bastiaan, Amparo Carbonell, etc.He has been technical assistant of numerous composers at the Electroacoustics Music Laboratory of Cueca, namely, Horacio Vaggione, Luis de Plablo, Jose Manuel Berenguer, José Manuel López, Eduardo Polonio, Lejaren Hiller, etc.

As a composer, he has composed more than 100 pieces for different instrumental set ups and groups, always with the intervention of electronic and electroacoustics generation processes and sounds.

Ciber@rt. (Espacio Cultural El Tanque, Santa Cruz de Tenerife, 20-03-1999)

Selected in 1998 as Spanish representative at UNESCO’s International Rostrum of Composers.Selected in 2006 by Radio Nacional de España, radio Clásica, as Spanish representative for the event Cumpleaños del Arte

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

08sotd2120