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2008. Petra Dubach + Mario Van Horrik (Cv)

PETRA DUBACH EINDHOVEN / NETHERLANDS, 1954MARIO VAN HORRIK / NETHERLANDS, 1956LIVES AND WORKS IN: EINDHOVEN, NETHERLANDS HTTP://HOME.TISCALI.NL/DUHOVOF/OBRA EN MADRID ABIERTO: UTRECHT CS

From 1993 we are working together as an artistic duo.

The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc.

Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale.

Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Recently we are very interested in projects that deal with communication, formal translations, and (mis)understanding.

SELECTION OF PRESENTATIONS2007·    Performance, Jeroen Bosch-festival, Den Bosch·    Installation "Slow Motion", a-m-b-e-r festival, Istanbul·    Pecha Kucha-presentation, 400 seconds, Garajistanbul, Istanbul

2006·    De Overslag, Eindhoven; installation and masterclass·    AUX, Copenhagen; participation in festival Technical Breakdown in the public space·    Logos Foundation, Ghent; feedback-soundperformance with video

2005·    Cacaofabriek, Helmond; objects in groupexhibition·    Center for the arts "Belgie ", Hasselt. Festival ManGod; installation and 2 ·    soundperformances·    Open air concert, Inkijkmuseum, Eindhoven·    OT301, Amsterdam; concert·    Festival Musik und Bild, Gallus Zentrum, Frankfurt; concert+video

2004·    Project CU 29, Watertoren HK, Vlissingen·    Het Klein Multimediafestival, installation+performances, Eindhoven·    Bison Caravan, traveling group-exhibition, object, HK Watertoren, Vlissingen·    Vrijheidsfestival, concert, Carte Blanche, Eindhoven·    Release of double cd-rom CU 29 and Geluidskunst·    Release audio-cd "Live in Prague"·    Festival für experimentelle Musik, TU München

2003·    Organisation of a tour of 8 soundartists to Belgrade·    Concert at April Meeting Festival, SKC, Belgrade·    Concert at Ringring-festival, REX, Belgrade·    Concert at Interzone 2003 festival, Novi Sad·    Groupexhibition "Corporate Identity", NBKS, Breda·    Installation "Geluidskunst", Synagogue at Palmovka, Prague·    Concert, Synagogue at Palmovka, Prague·    Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep·    Concert, Sklenena Louka, Brno·    Lecture at FAVU, University of Brno·    Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, ·    3 soundinstallations, and 3 performances

2002·    Concert, LOGOS Foundation, Ghent·    Concert, Exposition of New Music, Brno, Czech Republic·    Installation "Medeklinkers", de Witte Dame, Eindhoven·    Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. ·    www.4x4x4.dse.nl

2001·    Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium·    Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland·    Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland·    Performance "Jestem ruchem", first version,  gallery BWA, Ustka, Poland·    Performance,  "I am movement", performance festival, Piotrkow Trybunalski, Poland·    Installation and concert, SKC, Belgrade·    Installation and performance, REX, Belgrade

2000·    Installation, ‘Hladilnica", Pekarna, Maribor, Slovenia·    Installation "Shadow Play", 1may-festival, 2B, Eindhoven·    CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam·    Installation Ínterference', at the complex of NRE Powercompany, Eindhoven·    Installation, concert, and presentation at Gallery ‘de Overslag', Eindhoven

1999·    Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam·    Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany·    Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany·    Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven

1998·    "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland·    Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland·    Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski. Castle, Warsaw·    Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany·    Concert, Kunstfabrik, Darmstadt, Germany·    Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA·    Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany

1997·    Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen·    Concert,  Kulturzentrum BOA, Lucerne, Switzerland·    Project ‘Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium·    Concert, Kuenstlerhaus, Dortmund, Germany·    Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede·    Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven

1996·    Installation Oorsmeer, de Singel, Antwerp, Belgium·    Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium·    Concert, Untitled Festival, Willem II, Den Bosch·    Installation Oorsmeer, Theater a/d Parade, Den Bosch·    Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam·    Installation "The LocoMotives", Central Railway Station, Eindhoven·    "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA

1995·    Concert, Festival Experimental Music, Polytechnic University, Munich·    Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL·    Concert, "Belgie", Hasselt, Belgium·    Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok·    Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA·    Installation "FBI", de Unie, Rotterdam

1994·    The boxing-ring and concert, Experimental Intermedia, New York, NY, USA·    Artist-in-residency, Harvestworks, New York,NY,USA·    Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA·    Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA·    Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA·    Installation "Donar's Chariot"and concert; Vooruit, Gent

1993·    Concert, Videcultura, Haarlem·    Installation and concert; Hermit Festival, Plasy, Czech Republic·    Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven·    Concert, de Melkweg, Amsterdam·    Concert, Stedelijk Museum, Amsterdam/ VPRO-radio·    Performance "Black Box", Effenaar, Eindhoven·    Performance+concert; Center for New Dance Development, Arnhem

 

 

 

 

 

 

 

 

 

 

 

 

 

08sotd2126

2008 / 2008.02.13. RN3. La Ciudad Invisible (Petra Dubach + Mario Van Horrik)

Name Play Size Duration
La Ciudad Invisible, RN3. UTRECHT CS - Petra Dubach + Mario Van Horrik
5.1 MB 5:32 min

 

 

 

 

 

 

 

 

 

 

 

 

08disb2241

2008. Petra Dubach + Mario Van Horrik. ULTRECHT CS

 

Name Play Size Duration
Petra Dubach, Mario Van Horrik. UTRECHT CS
6.1 MB 3:50 min

The railway station of the city of Utrecht, Netherland, is the most busy and central in the Netherlands.  

The railwaystation has 20 platforms, from 16 of these, passengertrains stop and leave at fixed times.

We have set out these 16 platforms on a card, used for composing for music boxes. (The instrument is played by turning a wheel, that pulls through the card. Holes cut in the card make the instrument play corresponding pitched notes). So every platform has its own fixed note. Then we punched the departure times for each platform out of the paper; one bar representing one hour. So 24 bars for one day.

The mp3-file attached is the result played by hand on the music box. Surprisingly, the squeeky sound of the instrument itself, and the resulting score, have very much the resemblance of a train leaving, accellerating, and stopping again.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

08sotb2078, 08sotc2101, 08sose2141