Selected Artists Cv
2008. Ben Frost (Cv)
MELBOURNE, AUSTRALIA, 1980
LIVES AND WORKS IN REYKJAVÍK
WWW.ETHERMACHINES.COM
WORK IN MADRID ABIERTO: I LAY MY EAR TO FURIOUS LATIN
SELECTED EXHIBITIONS, RELEASE AND WORKS FOR PERFORMANCE
CURRENT WORK
2006
· I Lay my ear to furious Latin. Public sound/sculpture installation
· “Madrid Abierto”, Spain
· Theory of Machines 5 new compositions for industrial machinery and guitars
· Jarðskálftar Tónlist (Earthquake Music) Research and development of a real-time
RECENT WORK
2006
· Glow, Chunky Move Dance Company Score, Coreographed by Gideon Obarzanek and interactive System Design by Frieder Weiß
· Singularity, Chunky Move Dance Company Score, Coreographed by Gideon Obarzanek
· Holli Who? Íslenskí Dansflokkurín (Icelandic Dance Company) Score, Coreographed by Halla Ólafsdottír and concept by Halla Ólafsdottír and Ben Frost
· Broken Window Theory. Bus Gallery, Melbourne Australia (Group exhibition) A Non-Linear Audio Installation
· MOB part 1, North Melbourne Meat Market, Melbourne Australia A/V Installation, Surround sound and Multi-Screen Installation as part of Cicada
2005
· Björk, Medúlla Desired Constellation Remix, One little Indian Label/Universal Music International
· Pyroclastic. Centre for New Media Arts, Armenia. Sound work with Ai Yamamoto, Exploration of volcanic sound
· Salt Milk. IASKA, Kellerberrin Western Australia. A/V installation in remote salt lake regions as part of Cicada
PAST WORK
2004
· Amensal, luminosity exhibition, (ANAT) Adelaide Australia. Large-scale interactive video projection/audio installation with Cicada
2003
· Re_Squared, Prima Vera Festival, National Museum of Contemporary Art, Sydney Australia.
· Commissioned collaboration with video artists Cicada immersive audio-visual performance/installation
· Sæluhúsið (Safe House), Ny"listasafnið (The Living Arts Museum), Reykjavik Iceland. Commissioned live performance with Icelandic artist Valgeir Sigurðsson
· Steel Wound, Commissioned new work for the Room40 label. Exploration of the guitar as environment, geography as instrument, created in isolated farmhouse
GROUP EXHIBITIONS
2004
· Melatonin. “MAAP Festival” Singapore (Group exhibition) Curated by Lawrence English Sound Installation, in public transit tunnel, Exploration of sleep
2003
· Melatonin. “Nextwave Festival”, Bus Galleries, Melbourne Australia (Group exhibition)
· Audio Installation, exploration of sleep, R.E.M, and Psycho-Acoustics
EDUCATION
2005
· RMIT University-Bachelor of Media Arts, with Distinction (Fine Arts-Sound/Composition)
· (Under Dr Philip Samartzis and Composer Darrin Verhagen)
1999
· North Adelaide School of Art-Advanced Diploma in Fine Arts (Painting, Sculpture) incomplete
GRANTS, AWARDS AND RESIDENCIES (SELECTED)
2005
· Media Arts Board, Australia Council for the Arts -New Work Grant. Support and development of the work Jarðskálftar (Earthquakes)
· Music Board, Australia Council for the Arts -New Work Grant. Support and development of the work Theory of Machines
· Native-Instruments, Germany. Artist Endorsement
· Foundation For Young Australians-Fund for Individuals Grant. Artist residency at Greenhouse Studios Reykjavik, Iceland
2004
· New Media Board, Australia Council for the Arts-Research and Development Grant . Research and development of new work in collaboration of Kirsten Bradley and Nick Ritar (Cicada)
2003
· New Media Board, Australia Council For the Arts-International Pathways Grant . International tour of USA, UK, Europe in support of Steel Wound
· City of Sydney Australia-Art and About program award. For the Artwork Re_Squared in collaboration of Kirsten Bradley and Nick Ritar (Cicada)
· BBC Radio, Critics Choice, Top 10 experimental Releases 2003 For the work Steel Wound
2002
· Ableton Software, Germany. Artist Endorsement
ASSOCIATIONS
2005
· Present Bedroom Community Label, Reykjavik Iceland
2003
· Present Room40 Label, Brisbane Australia
2002
· Present Cicada Arts Collective, Melbourne Australia
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