HELSINGBORG, SWEDEN, 1964
VIVE Y TRABAJA EN LONDON
WWW.ANNIKASTROM.NET
OBRA EN MADRID ABIERTO: THE MISSED CONCERT

SOLO EXHIBITIONS
2006
·    Call for Demonstration, curated by Monica Ross, Meta.gallery Hove, UK
·    Sneaklaunch, Stockholm Citywide Billboard project commissioned by Bonniers Konsthall curated by Sara Arrhenius, Stockholm
·    The kindest artist in the world, Random gallery, (Project space by Praz Delavallade & Air dParis), Paris

2005
·    Jag vill kunna se vad det är, Galleri Charlotte Lund, Stockholm
·    The missed concert and the kindest artist in the world, c/o - Atle Gerhardsen, Berlin

2004
·    Mary Goldman, Los Angeles, USA
·    Det bästa , Galleri Box, Göteborg, Sweden
·    I am in love/ all my dreams...Galleria Sonia Rosso, Turin, Italy

2003
·    16 minutes  Galerie Drantmann, Brussels
·    Everything in this show can be used against me, Casey Kaplan, New York,
·    Galleri Charlotte Lund, Stockholm

2001
·    Six Songs for a Time Like This, c/o - Atle Gerhardsen, Berlin
·    Six Songs for a Time Like This, IASPIS Galleriet, Stockholm
·    Six Songs for a Time Like This, Statement Art 32 Basel at c/o - Atle Gerhardsen, Basel

2000
·    Grant for revolutionary  Goldman Tevis, Los Angeles, USA
·    Ten New Love Songs, Videodrome, Copenhagen
·    Annika Ström, c/o Atle Gerhardsen, Oslo

1999
·    Manuscript Song, Galleria Sonia Rosso, Pordenone, I (cat.)
·    Annika Ström - Ten New Love Songs, Wiener Secession, Vienna, A (cat.)
·    Annika Ström at Transmission, Transmission, Glasgow
·    Seven Songs, Akershus Kunstnersenter, Akershus
·    Fem Skäl, c/o - Atle Gerhardsen, Oslo

1998
·    Seven Songs, Casey Kaplan Gallery, New York, USA
·    The First Song of Seven, Art Space 1%, Copenhagen, DK

1997
·    Windowpillow, Casey Kaplan Gallery, New York, USA
·    Videoportrait screening No. X, Rooseum Museum for
·    Contemporary Art, Malmö, S
·    The Pineapple Project, Malmö, S

1996
·    Annika Ström, Rupert Goldsworthy Gallery, Berlin

1995
·    Anna Ström & Annika Ström (3 days performance), Rupert
·    Goldsworthy Gallery, Berlin (cat.)
·    Windowpillow, Gallery Saga Basement with J. Schou, Copenhag

GROUP EXHIBITIONS / SCREENINGS
2006
·    The Clinic. Berliner Hebbel Am Ufer-Theater curated by Anselm Franke and Hila Peleg
·    In a Magical World curated by Juan Antonia Alvarez Reyes, Cala San Vicente, Pollensa, Majorca  Island
·    Bastards, curated by Sinasa Mitrovic, White Chapel, London
·    I am a victim of this song… and other sung videos, curated by Montse  Badia Centre d´Art Santa Mònica, Barcelona
·    Too much love, curated by Amy Adler, Angles Gallery, Santa Monica, USA
·    Innenausstattung. Privates Handeln curated by Janneke de Vries and Kerstin Stakemeier,
·    Franz West without Franz West, curated by Veit Loers, Centre d'art Santa Mònica, Barcelona and Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria
·    Janssons frestelse/Jansson´s Temptation, curated by Niels Bonde, Overgaden
·    Institute of Contemporary Art, Copenhagen
·    Franz West without Franz West, curated by Veit Loers, Centre d'art Santa Mònica, Barcelona
·    Mobile Screening in La Vidéotheque mobile by Fabrice Gygi, Landowski,Boulogne.
·    The Peninsula art and film Anthology, Curated by Heman Chong Singapore History museum,Singapore

2005
·    Edstrandska stiftelsen exhibition, Malmö Konstmuseum, Malmö
·    Situated Self curated by Branko Dimitrijevic & Mika Hannula, Belgrade Museum of Contemporary Art, Belgrad, Serbia
·    Situated Self , Helsinki City Museum, Finland
·    Tourist Class, curated by Lars O Ericsson & M von Hausswolff, Malmö Konstmuseum, Malmö
·    The 15 min show, curated by Christina Ricupero & Alexis Vaillant at Stedeljik Bureau, Amsterdam
·    Lak-ka-pid-lak-ka-perd Invisible landscapes, curated by Miya Yoshida, Chula University, Bangkok, Thailand
·    Moderna by night, release of Artist book with ONESTARPRESS, Moderna Museet, Stockholm, Sweden
·    The failure, curated by Fanny Gonella & Sabine Schmidt, Korridor, Berlin
·    Kyss Frosken, Nasjonalmuseet for Kunst, Oslo, Norway
·    Electric Ladyland, Video und Weiblichkeit, curated by Katjy Albers, Neuer Berliner Kunstverein, Berlin
·    Funky Lessons, Bawag Foundation, Vienna
·    Media in F, from feminist to feminists,Young Kee Kim,Ewha Art center, Seoul

2004
·    Made in Berlin . curated by Zdenek Felix, Artforum, Berlin, Germany
·    Funky Lessons, Büreau Friedrich curated by Jörg Heiser, Berlin, Germany
·    SansPalais de Tokyo, Paris
·    Hotel Hollywood, Künstlerhaus Palais Thurn und Taxis, cur. by Svetlana Heger, Bregenz, Österreich
·    Density  ±O, curated by Caroline Ferreira & Marainne Lavanere, Ecole Nationale des Beaux-Arts de Paris, F
·    Die kleine Biennale, curated by Mark Kremer, De Jaarbeurs, Utrecht, NL
·    Video-Film-Documentary Programme , NIFCA, Helsinki, Finland
·    ideo Hits, Queensland Art Gallery, South Brisbane, Australia
·    Density  ±O, Freiburger Kunstverein e.V., Freiburg, Swiss
·    Criss-Cross, Kino, Lunds Konsthall, Lund, Andorra Cinema, Helsinki, followed by an international tour (2004-2006)

2003
·    Narcissus , curated by Hilde Teerlink, Crac Alsace, Altkirch, France
·    Contingent Living (cur. by Michelle Grabner), Bodybuilder & Sportsman Gallery, Chicago
·    Invisible Landscape, curated by Miya Yoshida at Rooseum Center for Contemporary Art Malmö, Sweden
·    Paradigm of love, curated by Judith Reichart, Vorarlberger Kunstverein, Bregenz, Österreich
·    Inside Outliners, a probable anthology (cur. by Roland Patteeum), Kunsthalle  Lophem Belgium, Belgium
·    5 Projects: Contemporary Art from Sweden, Yerba Buena Center for the ArtsSan Francisco, USA
·    Piacenza, Milano, Italy, curated  by Paolo Zani
·    Annika Ström, Catrin Otto, (Senatsstipendiaten der Stadt Berlin 2003) Kunstbank, Berlin

2002
·    Cine y cas cine, Museo Nacional Centro de Arte Reine Sofia, Madrid, E
·    Gossip, Konstmuseet Malmö, Malmö, S
·    Art costs more than sausages, Moderna Museet, Stockholm, S
·    The music in me 1 Gesellschaft für Aktuelle Kunst, Bremen, D
·    Gallery Group Show, Goldman Tevis, Los Angeles, USA
·    Openvideospace (cur. by Marina Sorbello), Openspace, Milan, I
·    Video Lounge (cur. by Maria Rosa Sossai), Fondazione Olivietti, Roma, I
·    Documents, Documentaries and Documentation: Artists’ Film and Video Programme, Arnolfini, Bristol, GB
·    “Je t’aime……moi non plus”, Kunstmuseum Thun, CH (touring exhibition)
·    Göteborg Filmfestival “Artfilm”, Cinema Atalante, Göteborg, S

2001
·    Experimental Film Festival BEFF, Project 304, Bangkok
·    One Night Stand, (presented by Make), The Lethaby Gallery, London, GB
·    Silence of the City, Gwangju City Art Museum, Gwangju, Korea
·    WonderWorld, Kleines Helmhaus, Zürich, CH
·    The Wedding Show, Casey Kaplan, New York, USA
·    Summer Group Show, Galleria S.A.L.E.S., Roma, I
·    The Artist’s World, curated by  Ralph Rugoff, CCAC Institute, San Francisco,USA (cat.)
·    Monitor Vol. I, Gagosian Gallery, New York, USA
·    Berlin_London_2001, ICA London, London, GB
·    Pandas and bamboo a new song by Annika Ström I am the Panda, Robin Pruitt at Gavin Brown’s Enterprise, New York, USA
·    Bra mot melankoli – Remedy for Melancholy (cur. Anders Kreuger & Evaldas Stankevicius), Edsvik konst och kultur, Sollentuna, S / Baltic Art Center, Visby, S (cat.) / Contemporary Art Centre, Vilnius, LIT

2000
·    Filles Modernes, École Superieure d´Art de Perpignan, Perpignan, F
·    KS175.com, Kunstforeningen Gammelstrand, Copenhagen, DK
·    Wonderful Copenhagen, Stadtgalerie Kiel, Kiel, D (cat.)
·    Freeways and Garage, Sparwasser HQ, Berlin, D
·    Attraction, Metrónom, Barcelona, ES
·    WaterFront. International Art Exhibition in Helsingborg-Helsingør, Kulturhuset Toldkammeret, Helsingør / Helsingborg Museum, DK
·    Escape_Space, Ursula Blicke Stiftung, Kraichtal-Unteröwisheim, D (cat.)
·    Flakk, or that extraordinary sensation of being abroad, even when at home, The Nordic House, Reykjavik, IS (cat.)
·    Artists of the Gallery, Casey Kaplan, New York, USA
·    Amateur/ Eldsjäl. Variable Research Initiatives 1900-2000, Konstmuseum, Göteborg, S (cat.)
·    Shoot! International Video Festival, Malmö, S

1999
·    Exit, Chisenhale, London, GB
·    Close-ups, Nikolaj – Copenhagen Contemporary Art Center, Copenhagen, DK (cat.)
·    Identität, Halle für Kunst, Lüneburg, D
·    Rosa für Jungs/Hellblau für Mädchen, NGBK, Berlin, D (cat.)
·    NGBK, Berlin, D (leaflet)
·    Level Cinema, W139, Amsterdam, NL
·    Nasubi Gallery / Cities On The Move, Louisiana Museum of Modern Art, Humlebæk, DK

1998
·    Nordic Nomads, White Columns, New York, USA
·    Beige & Sneakers, Concert – Performance – Event, Büro Friedrich, Berlin, D
·    Out of the North, Württembergischer Kunstverein, Stuttgart, D (cat.)
·    Wrapped, Vestsjællands Kunstmuseum Sorø, DK (cat.)
·    Art Club Berlin, Mies van der Rohe Pavillion, Barcelona, ES
·    Bicycle Thieves, Beret International Contemporary Art From Copenhagen, Chicago, USA (cat.)
·    Pakkhus, Momentum, Nordic Festival of Contemporary Art, Moss, NO (cat.)
·    Videorama, Video Screenings, Vienna, A
·    Domesticity, Gallery Mehdi Chouakri, Berlin, D
·    After the Orgy, Smart Project Space, Amsterdam, NL
·    Nuit Blanche - My Room, (Video programme DK), Musée d'Art Moderne de la Ville de Paris, Paris, F (cat.)
·    Jubileum Exhibition, Stalke Gallery, Copenhagen, DK
·    Undergrund, Gallery Asbæck, Copenhagen, DK
·    The Louisiana Exhibition, Louisiana Museum of Modern Art, Humlebæk, DK (cat.)
·    Art Calls, Telephone Project, Denmark (cat.)
·    Do It, Nikolaj. Copenhagen Contemporary Art Center, Copenhagen, DK (cat.)
·    Sitting Up Erect or Reclining, Home Show (cur. M. Goldman), Berlin, D

1997
·    Art Club Berlin, Art Forum Berlin, Berlin, D
·    What Is A... Do On A Deserted Island?, Middlegrundsfortet, DK
·    One Band Stand, concert performance with stand-in, Rockefeller Center, Oslo, NO
·    Gallery Stalke, with Recke & Bechmann, Copenhagen, DK (cat.)
·    The Museum of Contemporary Art, Roskilde, DK (cat.)
·    Shift Kunstverein, Berlin, D
·    Splendid Isolation, Osmos Gardenshow, Berlin, D
·    Double Bind, Gallery Enkehuset, Stockholm, S (cat.)

1996
·    Tidsanda III - Nordisk Konst, Malmö Art Museum, Malmö, S
·    When Shit Hits The Fan, (text by Tone O. Nielsen) Overgaden. The Danish Ministry of Culture’s Exhibition Hall for Contemporary Art Copenhagen, DK (cat.)
·    Vardagslivets Psykopatologi!, Galleri Struts, Oslo, NO
·    Electronic Undercurrent - Video in Europe, The Royal Museum of Fine Arts Copenhagen, DK (cat.)
·    Compartments, Video programme: Escape attempts, arranged by Globe, Copenhagen, DK (cat.)

1995
·    5 Artists, Galleri Struts, Oslo, NO
·    Trans.form.identity, Overgaden, Copenhagen, DK
·    Time Slice, Media Art School, The Royal Museum of Fine Arts, CPH, DK

BIBLIOGRAPHY
·    Monographs / Booklets, Catalogues on solo exhibitions
·    onestar press, France (2005)
·    Galleria Sonia Rosso, Pordenone, I (2000)
·    Secession, Vienna, A (1999)
·    IASPIS GALLERIET, Stockholm, Sweden (2001)
·    Metagallery, Hove (2006)

CATALOGUES ON GROUP EXHIBITIONS / BOOKS
2006
·    Janssons Frestelse, Overgaden, Copenhagen

2005
·    Edstrandska stiftelsen art award, Malmö Konstmuseum, Malmö
·    VERSION, Coloring Book, edited by Gabriela Vanga, Mircea Cantor, Ciprian Muresan, Version Magazine 0.6, Romania
·    Tourist Class, Malmö Konstmuseum, Malmö
·    nd International Video-Art Biennial in Israel, Center for Contemporary Art, Tel Aviv, p. 50
·    Lakka pid-lakka ped, Invisible Landscapes, Bangkok
·    Situated Self, Confused, Compassionate and Conflictual, Museum of Contemporary Art, Belgrade
·    Funky Lessons, ( cur. by Jörg Heiser), Revolver, Frankfurt am Main

2004
·    Jahresbericht 2004, Künstlerhaus Palais Thurn und Taxis, Bregenz
·    Live, Palais de tokyo, Paris
·    Video Hits, Queensland Art Gallery, South Brisbane, Australia
·    Density  ±O, Ecole Nationale des Beaux-Arts de , Paris
·    Die kleine Biennale, De Jaarbeurs, Utrecht, NL
·    Criss-Cross Video-Film-Documentary Programme, NIFCA, Helsinki, Finland (Booklet)

2003
·    densité ±O, (cur. by curated by Caroline Ferreira), Ecole Nationale Supérieure des Beaux-Arts de  Paris, F
·    Vorarlberger Kunstverein, (cur. by Judith Reichart and Wolfgang Fetz),  Bregenz, Österreich Thun, CH
·    Christoph Merian Verlag and Helmhaus, Zürich, CH
·    Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
·    Büro Friedrich, Berlin
·    Kleines Helmhaus, Zürich, CH
·    CCAC Institute, San Francisco, USA
·    Edsvik konst och kultur, Sollentuna, S / Baltic Art Center, Visby, S
·    ed. by Landeshauptstadt Kiel / Stadtgalerie, Kiel
·    NIFCA and The Nordic House, Reykjavik, IS
·    Danish Filminstitute, Filmhuset Copenhagen, DK
·    Göteborgs Konstmuseum, Gothenburg, S
·    Ursula Blicke Stiftung (ed. by Ursula Frohne and Christian Katti), Kraichtal, D
·    Waterfront International Art Exhibition, Helsingør Museum/Denmark and Helsingborgs Museum/Sweden
·    NGBK, Berlin, D
·    Nikolaj – Copenhagen Contemporary Art Center, Copenhagen, DK
·    NGBK, Berlin, D
·    NGBK, Berlin, D
·    Nordic Nomads (cur. by Andrea Kroksnes), White Columns, New York
·    Beret International Contemporary Art From Copenhagen, Chicago, USA
·    Musée d'Art Moderne de la Ville de Paris, Paris, F
·    Württembergischer Kunstverein, Stuttgart, D
·    Vestsjællands Kunstmuseum, Sorø, DK
·    Momentum: Nordic Festival of Contemporary Art, Moss, NO
·    Louisiana Museum for Moderne Kunst, Humlebæk, DK
·    Stalke Galleri, Copenhagen, DK
·    Copenhagen Contemporary Art Center, Copenhagen, DK
·    Gallery Enkehuset, Stockholm, S
·    The Royal Museum of Fine Arts Copenhagen, DK
·    The Danish Ministry of Culture’s Exhibition Hall for Contemporary Art, Copenhagen, DK
·    Landspeed Records, London, GB
·    Rupert Goldsworthy Gallery, Berlin, D

SELECTED ARTICLES
·    Artforum,   anuary 2006, 9. 237
·    Higgie, Jennifer Call for demonstration, Events, Frieze, September 2006
·    Frenker, Clarence: Kolla in stans konstigaste kåk, Aftonbladet, Stockholm, April 3
·    Steen, Paul: Bäst just nu Konst, Nojesguiden, May
·    Annika Ström: Für manche Platten bin ich zu sentimental, Monopol, February, p. 28

2005
·    Edlinger, Andrea:c/o – Atle Gerhardsen, Erfundene Konzerte und Freunde,
·    taz, tazplan, Mi. 16. Nov. 2005, p. 28
·    Tate Online, Issue 4
·    spike, Art Quarterly, Winter 2005, pp. 109-110
·    frieze, issue 78, October 2003, pp. 102-105
·    Artforum, Summer 2003, p. 189
·    Flash Art, Milan, no. 229, March-April, pp. 76-79
·    Tema Celeste, Milan, Jan./Feb.
·    Kunst-Bulletin, Zürich, No. 6/2002, pp. 40-43
·    Konsten.net, Stockholm, October 22
·    Svenska Dagbladet, Stockholm, November 9, p. 7
·    NU: The Nordic Art Review, vol. III No.6/01, 2001
·    Artforum.com, Oct. 2001
·    NU: The Nordic Art Review,vol. III, no. 2, February 2001
·    Der Tagesspiegel, 27. Oct. 2001
·    Zitty. Illustrierte Stadtzeitung Berlin, no. 22 / 2001, 18.-31. Oct., p. 55
·    Flash Art, No. 221, April - May
·    Tema Celeste, Milano, no. 78, March – April 2000, p. 111
·    New Art Examiner, March 2000, pp. 20-24
·    Flash Art, May-June, 2000, p. 74
·    LeTravailleur Catalan, 24/30 November 2000
·    Danish Filminstitute, no. 8, 2000
·    NU: The Nordic Art Review, vol. II, no. 5, 2000, pp. 85-86
·    La Semaine du Roussillon, 16/22 November 2000
·    Flash Art (Italian Edition), Milano, No. 221, April – May 2000, pp. 117-118
·    MessaggeroVeneto, 18. January 2000, p. 10
·    Arte Tendenze, Milano,  no. 317, February 2000, p. 162
·    L’Independant, 6. Nov. 2000
·    L’Independant, 12. November 2000
·    NU: The Nordic Art Review, vol. I, no. 1, 1999, p. 90
·    Art Monthly, no. 225, April 1999
·    BilledKunst, no.1, 1999
·    Art Papers, March/April 1999
·    BillyLiar, no. 2, 1998
·    Der Tagesspiegel, Berlin, 2. May 1998
·    Out of the North  (catalogue text)
·    Kunstmagasinet 1%, Preview Issue, Copenhagen, December 1997 – January 1998, pp. 8-10
·    Art/Text, no. 60, February – April 1998
·    Øjeblikket, no. 35, 1998
·    Flash Art, no. 201, 1998
·    AKTUELT, 3. October 1997
·    TAZ, 27/4, 1996
·    Zitty, October 1996
·    Paletten, no. 4/95, 1995

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