Selected Artists Cv

2008. Santiago Sierra (Cv)

MADRID, 1966

·    Centro Cultural Matucana, Santiago de Chile, Chile
·    Santiago Sierra, New Works, Lisson Gallery, London, UK. 200709_1024.htm" 21 Anthropometric modules made from human faeces by the people of SULABH international, India. Nueva Delhi/Jaipur, India, 2005/2006
·    1549 Crimenes de Estado. Antiguo Edificio de la Secretaría de Relaciones Exteriores de la Plaza de las Tres Culturas, Tlatelolco, Mexico City
·    Himnos, Cabildo de Montevideo, Montevideo, Uruguay
·    Proyecto Caracas. Santiago Sierra, Sala Mendoza, Caracas, Venezuela
·    Concierto para Planta Eléctrica a Diésel, Salon Experimental de la Fundación Chacao, Caracas, Venezuela
·    Submission, "Proyecto Juárez", México City, México
·    Santiago Sierra, Prometeogallery, Milan, Italy

·    Illumination of the space between two plains, Contemporary Art Center of Malaga-CAC, Málaga, Spain
·    The Punished. Landgericht Frankfurt, Gerichtsstrasse 2, Kleinmarkthalle, Hasengasse 5-7, U-Bahn Hauptwache, S-Bahnzugang Hbhf, Deutsche Bibliothek, Adickesallee 1, Stadtbücherei, Zeil 17, Senckenberg Museum, Senckenberganlage 25, J-W.- Goethe Universität, Hauptgebäude, Senckenberganlage 31, Fine Arte Fair, Messe Frankfurt Halle 9, Frankfurt, Germany
·    114 Stommeln citizens & 245 m3, Synagoge Stommeln, Germany
·    Jewels collection. Designed by Chus Bures, Madrid, Spain
·    89 Huichols, San Andrés Jalisco, Jalisco, México

·    102 Beggears, Plaza del Estudiante, 20, Mexico D.F.
·    396 Women & The Corridor in the House of the People & Psychophony recordered in the house of the people, House of the People, Bucharest, Romania
·    House in Mud, kestnergesellschaft, Hannover, Germany, Maschsee-Projekt
·    One person, Galleria Civica di Arte Contemporanea, Trento, Italy
·    The visit, Colonia Polanco, Mexico City, Mexico/Daimler Chrysler-Mercedes Benz factory, Bremen, Germany
·    Position Exanche for two dinstict, 30 metre volumes of earth, Demilitarized Area Between North and South Korea
·    Loudspeakers, Entrance to the Arsenale, Venice

·    Museum Dhondt-Dhaenens, Belgium
·    100 Constructions with 10 Modules and 10 Workers, Peter Kilchmann Gallery, Zurich
·    Kunsthaus Bregenz, Bregenz
·    CAC Centre d'Art Contemporain de Brétigny, Paris

·    Outdoor project, Galerie Helga de Alvear, Madrid
·    The Spanish Pavillion at the Bienale di Venezia Venice

·    Hiring and Arrangement of 30 Workers in Relation to their Skin Color, Kunsthalle Wien, Vienna
·    Space closed by corrugated metal, Part 1: Sept. 10 - Oct. 10 and Group of people facing a wall, Person facing into a corner, Part 2: Lisson Gallery, London
·    3000 digs of 180 x 70 x 70 cm each, Fundación NMAC, Montenmedio, Cádiz, Spain
·    Nine forms of 100 x 100 x 600 cm each, constructed to be supported perpendicular to a wall, Deitch PROJECTS, New York, USA
·    Spraying of Polyurethane over 18 People, Claudio Poleschi Arte Contemporanea, Lucca, Italy
·    The History of the Foksal Gallery Taught to an Unemployed Ukrainian, FOKSAL Gallery Foundation, Warsaw
·    11 People paid to learn a phrase, Project Room, ARCO'02, Madrid, Galerie Peter Kilchmann
·    Person saying a Phrase, IKON Gallery, Birmingham
·    Two Maraca Players, Enrique Guerrero Gallery, Mexico City

·    430 people paid 7 1/2 Soles ($ 1/2) per hour, Pancho Fierro Gallery, Lima, Peru
·    Sit-In by twenty workers in the hold of a boat, Barcelona, Spain
·    Banner held outside the entrance to an artfair, Art Unlimited Basel, Peter Kilchmann Gallery
·    Object measuring 600 x 57 x 52 cm constructed to be held horizontally to a wall, Peter Kilchmann Gallery Zurich

·    Six People who cannot be remunerated for the Staying in the interior of Cardboard Boxes, Kunstwerke, Berlin
·    Person Remunerated for a Period of 360 Consecutive Hours, P.S.1, Long Island City, New York, USA
·    12 Remunerated Workers, Ace Gallery New York, USA
·    Public transported between two points of Guatemala City, Bella de Vico Arte Contemporaneo

·    Line of 250 cm tattooed over six paid persons, Espacio Aglutinador, Havana, Cuba
·    465 Remunerated People, Gallery Seven, Mexico City, Mexico
·    24 Concrete Blocks moved continuously during one working period by ten remunerated workers, Ace Gallery Los Angeles, USA

·    Plataforma Puebla 2006. Curators: Príamo Lozada & Bárbara Perea

·    51st Venice Biennale

·    Arrangement of Twelve Prefabricated Parapets, Herzliya Museum of Art, Israel
·    Sao Paulo Biennale, Sao Paulo, Brasile
·    Liverpool Biennale, UK
·    "Soziale Kreaturen", Wie Körper Kunst wird, Sprengel Museum Hannover, Hannover
·    "El real viaje real", Museo Patio Herreriano, Valladolid, Spain

·    "El real viaje real", PS1, Long Island City, New York, USA
·    "fast forward", Media Art/Sammlung götz, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
·    "Terror Chic", Monika Sprüth / Philomene Magers Gallery Munich, Germany
·    "Stretch", Powerplant Contemporary Art Gallery, Toronto, Canada
·    "Hardcore", Palais de Tokyo, Paris, France
·    "Witness - Contemporary Artists document our Time", Barbican Art, Barbican Center, London, UK
·    "Mexico Attacks", Associazione per L'Arte Contemporanea Prometeo, Lucca, Italy. Herzliy Museum of Art, Herzliya, Israel
·    "M ARS - Art and War", Neue Galerie Graz am Landesmuseum Joanneum, Austria

·    "20 Million Mexicans Can't be Wrong", South London Gallery, London, UK "Centre of Attraction", The 8th Baltic Triennial of International Art, Contemporary Art Center Vilnius, Lithuania
·    "Mexico City: An Exhibition about the Exchange Rates of Bodies and Values", P.S.1, Long Island City, New York, USA
·    "Protest! Respect! - Politik als ästhetische Kategorie", Kunsthalle St. Gallen, Swizerland
·    "Trans Sexual Express", ATRIUM, A Coruña, Spain
·    "The song of the pirate", Centro Cultural Andratx, Mallorca, Spain
·    "Art & Economy", Deichtorhallen, Hamburg, Germany
·    "Spanish Contemporary Art", Borusan Art Gallery, Istanbul, Turkey
·    "Trans Sexual Express", Budapest, Hungary
·    "Loop", P.S.1 Contemporary Art Center, Long Island City, New York

·    "Marking the Territory", Irish Museum of Modern Art, Dublin, Republic of Ireland
·    "ARS 01 - Unfolding perspectives", KIASMA, Helsinki, Finland
·    "Loop", Hypo Kunsthalle, Munich, Germany-travels to P.S.1, Brooklyn, New York
·    Person paid to remain tied down to a wooden block, "Transsexual Express", Santa Mónica Contemporary Art Center, Barcelona, Spain
·    Kunsthalle Hanover, Germany
·    49th Biennale di Venezia, Venice, Italy
·    Trienal de Barcelona, Barcelona, Spain
·    "Artistas Latinoamericanos", Salvador de Bahia, Brasil

·    "Latin America", Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
·    "PICAF Living the Islands", Pusan, Republic of South Korea
·    "A shot in a head", Lisson Gallery, London, UK
·    "EV. A 2000, Friends and Neighbours. The 4th Biennial invited ev. a.", Limerick, Ireland

·    Concentration of Illegal Workers, BF 15 Gallerys' Stand, FIAC, Paris, France
·    "No Title",Guatemala
·    "Representar/Intervenir", X-Teresa Arte Actual, Mexico City
·    "Parada continua/Frequent Stops", Museo Carrillo Gil, Mexico City

·    "Made in Mexico made in Venezuela", Art Metropole Gallery, Toronto, Canada
·    "Cambio II", Sandra Gehring Gallery, New York, USA
·    "Despues del cuerpo", 127 Gallery, Mexico City

·    Santiago Sierra, 7 Trabajos/7 Works, Lisson Gallery, London, UK, november, 2007. Texts by Pilar Villela, Mariana David, Javier San Martín, Taiyana Pimentel
·    Santiago Sierra. Texts by Fabbio Cavallucci and Carlos Jiménez. Published for the occasion the special project Una Persona, Galleria Civica di Arte Contemporanea, Trento, Italia
·    Santiago Sierra, Spanish Pavilion. 50th Venice Biennale, Venice, Italy
·    Santiago Sierra, Kunsthalle Wien, Wien, Österreich, March, 2002. Interview by Gabriele Mackert
·    Santiago Sierra. Espreado de poliuretano sobre 18 personas, Claudio Poleschi Arte Contemporanea. Lucca, Italy, March 2002. Text by Pier Luigi Tazzi
·    Santiago Sierra. Works 2002-1990, IKON Gallery, Birmingham, UK, Februrary, 2002. Text by Katya García-Antón
·    Santiago Sierra, Galerie Peter Kilchmann, Zürich, Switzerland, March 2001. Text by Taiyana Pimentel

·    Interviews, Kunsthalle Wien, Triton Verlag, Vienna, Austria. Interview by Gerald Matt
·    Hardcore - Vers un nouvel activisme, Palais de Tokyo, Éditions Cercle D'Art, París, Francia. Interview by Jérôme Sans
·    Witness, Barbican Art Center, London, UK
·    Mexico Attacks!, Chiesa di San Matteo, Associazione Promoteo per l´Arte Contemporanea, Lucca, Italia
·    M_ARS. Art and War, Neue Galerie Graz, Graz, Austria

·    Zivot umjetnosti, Institut za povijest umjetnosti, Zagreb, Croatia. Interview by Ivana Keser
·    Comer o no comer, Centro de Arte de Salamanca, Salamanca, Spain. Text by Carlos Jiménez
·    Otredad y mismidad, Espacio Anexo a la Galería de Arte Contemporáneo y Diseño, Puebla, Mexico. Text by Ana María Guasch.
·    20 Million Mexicans Can´t Be Wrong, South London Gallery. London, UK. Text by Cuauhtémoc Medina
·    Mexico City: an Exhibition about the Exchange Rates of Bodies and Values, P.S.1 Contemporary Art Center, New York, USA
·    Art & Economy, Deichtorhallen Hamburg. Hatje Cantz Verlag. Ostfildern, Germany. Text by Claudia Spinelli
·    The Hall of Lost Steps, Borusan Kültur ve Sanat, Istanbul, Turkey. Text by Rosa Martínez

·    Angst, Kokerei Zollverein, Essen, Germany
·    Santiago Sierra. 430 personas remuneradas por 7.5 soles la hora, Galería Pancho Fierro, Centro de Artes Visuales, Lima, Perú. Text by Juan Peralta
·    Políticas de la diferencia. Arte Iberoamericano de fin de siglo, Valencia, Spain - Pernambuco, Recife (Brazil): Consell General del Consorci de Museus de la Comunitat Valenciana-Governo do Estado de Pernambuco. Centro de Convenciones de Pernambuco. Text by Cuauhtémoc Medina.
·    ARS 01-Unfolding Perspectives, Museum of Contemporary Art Kiasma, Helsinki, Finland
·    Pay Attention Please, Museo d'Arte Provincia di Nuoro, Olbia, Italia
·    Trans Sexual Express: A Classic for the Third Millennium, Centre d'Art Santa Mònica, Barcelona, España. Text by Taiyana Pimentel
·    Comunicación entre las artes. I Bienal de Valencia, Generalitat Valenciana, Valencia, España
·    Plateau of Humankind. 49 Biennale di Venezia, Venice, Italy. Text by Taiyana Pimentel
·    Neue Welt, Frankfurter Kunstverein, Frankfurt, Germany

·    No es sólo lo que ves: pervirtiendo el minimalismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Text by Taiyana Pimentel
·    Leaving the Island, Pusan International Contemporary Art Festival, Pusan, Korea
·    Puerto Rico '00 [Paréntesis en la ciudad], M&M proyectos, San Juan de Puerto Rico, Puerto Rico