2007. Paul Devens. ALKALINE

Year: 2006


Name Play Size Duration
paul devens

1.6 MB 1:44 min

 Alkaline is a sound composition partly based upon the rhetorical clichés of pop music, partly placed into the milieu of ‘contemporary music’. A strong relation to punk attitude could be sensed through the energetic level as well as the D.I.Y (do-it-yourself). Sometimes software and hardware is constructed by myself to maximize the possibilities for manipulation and to research a new sonic milieu. Spatial condition has a big influence to the concept of the work, both in the virtual and illusive domain, as in the environment of the listener.
The sounds are produced with custom made virtual generators, home made electronics and effects, toys and field-recordings.

The work of Paul Devens (Maastricht, 1965) oscillates in between installation, video, sound, performance and architecture.

"The main focus of my work is generally a questioning of seemingly naturalized conceptions of the reality surrounding us. My attempt is to offer alternative models in opposition to the preconstructed models of understanding originating from commercial interests. In all my work the feeling of uncertainty and surprise provided by the unexpectedness of the situation is always a central element.
Relocating and reinterpreting objects from popular culture (see for instance Moped 2) or minimal, almost invisible gestures (see Sunday or Coffee), I try to focus on an everyday reality that surrounds us at all times and that we tend to take for granted. I am especially interested in how this reality is communicated and in the codes contained in the structures through which it is communicated.
This same interest is at the basis of my sound art, which can roughly be divided into installations and performances. The performances are live acts or concerts made from computer generated sounds, recordings and improvisations. I base these compositions upon musical figures taken from commercial pop music. By reinventing the sounds and the aesthetics we are used to, my attempt is, once again, to remove them from the symbolical and rhetorical clichés they are normally associated with. Varying in expression from dance to pure noise, my music freely moves from one aesthetical expression to another.
The installations are architectonical constructions especially designed for the physical experience of sound (see for example Serials or Stena). Each installation has a specific soundtrack or composition, and the presence of the audience is integrated as part of the work."







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