MADRID, 1964
LIVES AND WORKS IN: OVIEDO, ESPAÑA
WWW.MIGUELGIL.COM.ES
WORK EXPOSED IN MADRID ABIERTO: ELECTROSCHOTIS

EDUCATION
2001
·    Proven research experience Universidad Autónoma, Madrid
·    Research work “The notation of Flamenco singing (applications of contemporary writing in its transcription)”

1999
·    Doctorate courses. Universidad Autónoma, Madrid. Professors: E. Fubini. B. Lolo, E. Pujals, C. Colombatti, Martínez Veiga, A. Vicent, González Valle, García Llovera, Linaza Iglesias

1998
·    Ministry of Education and Culture.  Bachelor’s degree in Harmony, Counterpoint and Instrumentation.
·    Contemporary Music Dissemination Centre (CDMC). “Influence of Technology on Composition”. Professor: Luca Francesconi

1997
·    Contemporary Music Dissemination Centre (CDMC). “Introduction to the Computer Tools of the CDMC”. Professor: Adolfo Núñez
·    Contemporary Music Dissemination Centre (CDMC). “Musical Developments in Signal Analysis, Synthesis and Processing”. Professor: Emiliano del Cerro
·    Conservatorium van Amsterdam “Electroacoustics music workshop”. Professor: Joss Zwaanenburg

1996-1997
·    Conservatorium van Amsterdam. Post-graduate studies (two-year programme) on the following areas with maximum grade: Composition (Theo Loevendie and Daan Manneke)
·    Theory of Classical Music of South India (Rafael Reina)
·    International Contemporary Music Festival of Alicante. “Composition Course”. Professor: Tristan Murail
·    Conservatorium van Amsterdam “Composition Seminar”. Professor: James Wood

1993
·    Graduate of composition with Summa Cum Laude. Berklee College of Music (Boston, USA)
·    Berklee College of Music “Composition Seminar”. Professor: Henke Alkema

1986
·    Universidad Complutense, Madrid). Biology studies (4 years)

AWARDS AND GRANTS
2007
·    Villa de Madrid music prize for the project “De ida y vuelta”. City Council of Madrid

1997
·    Research grant from the Regional Government of Andalusia

1996
·    Grant for professional education abroad. Ministry of Education and Culture

1994
·    Rome prize (full year). Ministry of Foreign Affairs

1993
·    Honorary mention
·    Composition competition for wind ensemble. Berklee College of Music
·    Richard Levy Professional Writing Division Prize, Berklee College of Music
·    Education grant for studying abroad. AIE (Association of interpreters and performers)

1992
·    Education grant Berklee College of Music

1990
·    Education grant for studying abroad AIE (Association of interpreters and performers)

PROFESSIONAL EXPERIENCE
2007
·    Mariano Marín/Meridional Theatre and others. Production and arrangements collaborations in the sound tracks of the theatre plays “Cantando bajo las
·    balas” and “Mentiras, incienso y mirra” and the feature film “Mi amigo Jesús”
·    Cast/ David Lind. Voice arrangements and brass arrangements, respectively in both CDs
·    Juanjo Guillem. Next publication of the work “Agua Transfigurada” in the CD “Los Elementos”

2006
·    DSR productions. Composition of the music for the short film “Atado” winner of awards in Acerbajan, Ciudat del Valls and San Agustin de Guadalix.
·    “De ida y vuelta” Poliamyda Records. Production, composition and interpretation of the CD “Patricia” from the music project “De ida y vuelta”. Villa de Madrid 2008 Prize.

2005
·    Various musical productions for the theatre play “Pequeños Crímenes Conyugales” and mixes for different sound tracks.
·    Laura Torrado Music for the documentary “Otros hogares, otras realidades” and collaboration in the art videos “Ronhaldinha” and “Thriller”.
·    “Signos de Aire” Poliamyda Records
·    Production, composition and interpretation of the CD “Signos de aire”

2004
·    Teatro Español. Production of the children’s musical “Romeo y Julieta”
·    Company “Polyamida records”. Production and arrangements of the record “Nitt” from the Senegalese group “Dhiambutu”
·    Various Music for the DVD of the plastic artist Paul Carvajal and confection of the orchestral suite of the film “Al Sur de Granada” (Music by Juan Bardem)

2003
·    Production company “El Deseo”. Directed by F. Sabroso & D. Ayuso. Production, supervision and arrangements of the sound track for the film “Descongélate”
·    “Avispa Records” orchestration of two themes of Medina Azahara’s record “Aixa” recorded by the Córdoba Orchestra
·    Merida Theatre Festival. Director Juan Margallo
·    Musical production for the theatre play “La Paz”

2002
·    Oriental Dance Company Lenna Beauty. Original music of the show “Mabruk”
·    Anthony Blake. Composition of sound track (together with Luis Ibars) of the show “Espíritu”

2001
·    Music for FITUR video, Japanese Siatsu School.
·    Various spatialisations for the short film “Ciclo”; mix for the theatre play “Vida sexual del español medio” of Las Veneno
·    PPPG Kesenian Yogyakarta (Indonesia)
·    Music for the theatre play “Don Juan” (Moliere)

2000
·    PPPG Kesenian Yogyakarta (Indonesia)
·    Music for the theatre play “Doña Rosita” (García Lorca)

1999
·    Centro Dramático Nacional (CDN) Production, music arrangements and orchestration for the theatre play “La Visita de la Vieja Dama”
·    Alcalá de Henares Film Festival and Experimental Film Festival of Madrid
·    Music for the short film “Animal” of Miguel Díez
·    Prizes in Alcalá and Experimental Film Festival and nomination for Goya award.
·    Fuepalbar Cia. Brussels (Belgium)
·    Music for the choreography “Mismorigen”.

1995
·    Teatro dei Documenti (Rome) Debut of the work “Endimión y la Luna”
·    Academia de España in Roma. Debut of the work “A legno”
·    Willibroad Co. (the Netherlands) CD recording of “Re-verse” by José Vicente
·    Troupe Castiza, Alfil Theatre, Madrid
·    Composition of music for the theatre play “Akabaret con Todas las Purgas” by Eduardo Fuentes

1994
·    Instituto Cervantes. Leeds University (UK)
·    Debut of the work “Agua Transfigurada” by Juanjo Guillem
·    Instituto Cervantes
·    UMIST, Manchester (UK)
·    Debut of “Between Whistles and Flutes” by Juana and Juanjo Guillem
·    Círculo de Bellas Artes Madrid. Debut of ”Diario de un Seductor”, “Haiku” and “Música para un aterrizaje Forzoso”.
·    Círculo de Bellas Artes Madrid. Music for the work “Ante el Retiro” (T. Bernhard)
·    Directed by María Ruiz
·    Offenburg (Germany) Debut of the work “Triste a su lado”
·    Teatro del Sur. Granada. Music for the theatre play “El Ultimo Dios” (García Larrondo)

1993
·    Madrid Autumn Festival. Music for the work “Muelle Oeste” (Koltes). Directed by Carmen Portacelli.
·    Madrid Autumn Festival. Music for the work “La Habitación Escondida” (E.
·    Múgica)

1992
·    Teatro Rosaura. Music for the work “Retén” (E. Caballero)

1991
·    Albéniz Theatre. Madrid. Music for the work “El Filo de unos Ojos” (I. Martínez de
Pisón)

1990
·    Príncipe Theatre. Gran Vía, Madrid. Music for the work “Gracias Abuela”
(S. Junyent)

1988
·    Centro Cultural de la Villa, Madrid. Music for the work "Rinoceronte” (Ionesco).
·    The Cuban National Ballet, La Habana. Music for the choreography. “Al Compás”. 50th anniversary of the company.
·    Dido Theatre Company. Music for the opera “Dido y Aeneas”
·    University of Hong Kong. Debut of the work “Cenit 1342”
·    Ysbreker (Amsterdam) Debut of the quintet “B”

1997
·    Elche Film Festival. Music for the short film “El Nacimiento de un Imperio”. First prize
·    UNESCO. Paris. Spanish representative at the International Rostrum of Composers in Paris with the work “Endimión y la Luna”
·    French Institute Madrid. String Quartet for the choreography “Compartir el
·    tiempo” (Pablo Molero)
·    Bachzaal (Amsterdam) Debut of the work “Decursos”

1996
·    Aspen Music Festival (USA) Debut of the work “Selves”
·    Bachzaal. (Amsterdam) Monographic Concert: Debut of the works “Two Open
·    Piano Pieces”, “Sex Fluctuationis” and “Divertimento”

TEACHING AND WORKSHOPS
2007-2008
·    Higher Music College of Oviedo. Acquires the post of professor specialised in audiovisual composition techniques.

2007
·    Reina Sofía Art Centre National Museum. CDMC Conference on Midi audiovisual/orchestration preproduction.
·    Music College of El Escorial

2005
·    Higher Music College of Atocha
·    Music College of Ronda

2004
·    Cefore, Avila

2003
·    Xunta de Galicia CEFORES A Coruña, Vigo, Ferrol, Pontevedra, Lugo, Santiago and Orense
·    University of Castilla la Mancha; Albacete and Ciudad Real
·    Music College of Getafe, Madrid
·    Training courses for teachers of music colleges and/or primary and secondary schools as well as students of music computing.

2002-05
·    Polimúsica.  Imparts the forums: “DSP’s for Native systems”, “Emulation of Acoustic Instruments with Samplers and MIDI Techniques”, “Logic 5, Novelties”, “Sibelius as composition tool”

2001
·    HDM el submarino Conference:”Analysis of the score of Debussy’s Pelleas et Melisande”

2000
·    PPPG Kesenian (Teacher training centre, Yogyakarta,
Indonesia)
·    Elaboration of curriculum for music studies in Indonesia.
·    Teacher training in the areas of modern harmony, music technology, improvisation and audiovisual music
·    Design for equipping the recording studios and libraries of these centres

1999
·    CPR García Noblejas Madrid
·    Course teacher of “Music Computing” for music college teachers.
·    Polimúsica Madrid. Course teacher of “20th Century Electroacoustics Music”. Centred on work using the programme Audiosculpt of IRCAM

1998
·    5th International seminar on the Donosita accordion. Course teacher of “New Rhythmic Techniques”
·    Development of the techniques of South Indian classical music.
·    Estudio Tres Madrid. Imparts the course: “Rhythm and Movement”
·    University of Extremadura. Imparts the course: “Form in composition”. Applied to choreographic composition techniques

1997
·    Association of Dance Professionals. Madrid. Imparts the course: “Rhythm for Choreographers and Dancers”
·    University of Extremadura. Imparts the course. “Advanced Rhythm and Movement Techniques”
·    Joaquín Turina Music College. Madrid
·    Teacher at the seminar: “Analysis of Spanish Contemporary Music”

1996
·    3rd International Donosita Accordion Seminar. Imparts the course: “20th Century Music”

1994
·    International Percussion Seminar of Altea. Presentation: “Notation in 20th Century Music”

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