HOMEVIDEO, 1999FrankfurtIn collaboration with Alexander Wolff

A private apartment was rented for one month in Frankfurt City. During this time 5 to 6 movies were shown daily from 5pm to 2am. The list contained about 150 movies which were in a way typical homevideos. The movies were shown in alphabetical order as printed on the invitation – card. The daily program was announced on an answering machine and on a local radio broadcast. The situation in the apartment was dithering between watching videos privately with friends and sitting in an apartment on a sofa with total strangers who got hold of the invitaion card.

à bout de souffle the abyss the addiction lʼage dʼòr akira alice`s restaurant alien hombre lobo americano as tears go by auch zwerge haben klein angefangen malas tierras teniente corrupto the bad sleep well barbwire barfly batman belle de jour bennys video die bettwurst the birds die bitteren tränen der petra v. kant blade runner blowup bodysnatchers bonny & clyde das boot la boum boyz ʻn the hood braindead brazil desayuno con diamantes bullet in the head buster keaton butch cassidy & the sundance kid el cabo del miedo carrie el color del dinero convoy crash darkstar days of heaven dead man el cazador dirty dancing der diskrete charme der bourgeoisie dobermann tarde de perros donnie brasco der dritte mann teléfono rojo volamos hacia Moscú das duell dune der ekel the exorzist face to face fallen angels fargo faster pussycat! kill! kill! femaletrouble the fog fitzcarraldo freaks the fugitive funny games ghost in the shell goldfinger the las uvas de la ira hana-bi heavy traffic hellraiser the heroic trio i hired a contract killer independence day jackie brown la escalera de Jacob kids kika the killer king kong king of n.y. die klapperschlange ein kurzer film über das töten lethal weapon liquid sky living in oblivion lohn der angst lolita mad max man bites dog der mann, der vom himmel fiel el mariachi mein name ist nobody der mieter the misfits moby dick motorpsycho asesinos natos 1984 nostalghia north by northwest the omen once upon a time in america once upon a time in the west outbreak die outsider der pate permanent vacation pink flamingos quadrophenia rambo reservoir dogs rio grande robocop rocky romper stomper rosemaries baby satyricon scarface the searchers secrets and lies short cuts sid & nancy the silence of the lambs der sinn des lebens slate, wyn and me snake eyes sommer der liebe der stadtneurotiker starship troopers starwars stille tage in clichy strange days tag der idioten tanz der teufel taxi driver terminator tykho moon titanic tokyo fist total recall die unbestechlichen united trash die unzertrennlichen violent cop wargames war of the worlds der weiße hai cuando éramos reyes white of the eye wild at heart wilde erdbeeren wild things wir kinder vom bahnhof zoo wut im bauch zabriskie point

07inme3810

INVITATION, 2005Varsoviain collaboration with Alexander Wolff

Central point of the work is the distribution of a set of keys to an one bedroom appartment in Warsaw to various people. As there are consisting as many keys as invitation cards, more or less 500 and there are about as many potential owners of place, the apartment looses it`s quality as a private housing and becomes a kind of public space as for example a museum could be. The apartment is equipped corresponding to its size for one to two persons.

Although the apartment was located in Warsaw, the project in whole was not based on a certain place, as the distribution and personal handout of the keys and invitation card was already an essential part of it and the owners of the keys could wander around with them anywhere with the knowledge having access to an apartment in Warsaw.

.

07inme3808

INVITATION, 2006Varsovia

For the duration of half a year an apartment in the city of Warsaw will be rented. It will be equipped with furniture necessary for a basic living like a bed, a table and some chairs. The appearance of the flat should be as neutral as possible.

The project that is announced as an exhibition consists of the distribution of duplicated keys to as many people as possible in different venues, where we will be staying during the period of the project. This could be e.g. Frankfurt, Berlin or Istanbul.

The aim of the project is, to soften the boundaries between a private apartment and a public space by increasing the number of people having access to the place.

A space then could be defined as a sort of public space as soon as a certain number of keys are distributed/circulating.

The keys are distributed via personal handout together with an invitation card that describes the specification of the project. A large number of people will have the possibility to visit this apartment and get an active part of the exhibition. There is no schedule that would give an insight of how the flat is frequented; therefore the permanent possibility of casual encounters is most likely.

An essential part of the project is the act of the personal handout of the keys and their distribution to various people worldwide. A potential of diverse possibilities are introduced through the speculative dimension that is inherent to the project. The owners of the keys are deciding themselves about the possible varieties.

Another part of the project is seen in the choice of the city. Taking Warsaw as the starting point of the exhibition concept is explained within the geographical coordinates of the city, that demands awareness for the specific location.

Despite of the public/private apartment theme that lays within the project, it shall also function as a kind of social platform, and an offer to people to travel to another place.

Although we will try to do as much as possible ourselves to realise the apartment project, it will be necessary to work together with one of the Warsaw based institutions and people in matters of organisation and maintenance of the flat.

The project in Warsaw was realised with support of Buero Kopernikus,  http://www.buero-kopernikus.org/ and e-flux.

07inme3806

Discoteca Flaming Star    Discoteca Flaming Star        www.discotecaflamingstar.com

Johanna Billing    You don’t love me yet    www.makeithappen.org/johannabilling.html

Alfonso Gil + Francis Gomila   Guantanamera    www.alonsogil.com   www.digitalartsgallery.co.uk/FG.ARTISTSpage.html

Ben Frost   I lay my ear to furious latinwww.ethermachines.com

Dan Perjovschi    Off www.perjovschi.rowww.lombard-freid.comwww.gregorpodnar.com

Dirk Vollenbroich    Short circuit / Cortocircuito www.dirkvollebroich

Mandla Reuter Pictureshttp://www.mandlareuter.com/

Susan PhillipszFollow Me

Anikka Ström    The missed concert    www.annikastrom.net

Dora García    Rezos/Prayers    www.doragarcia.net    www.rezosprayers.org

Nexus Art Group    Proyecto[NEXUS*]Jose Luis Delgado Guitart Ricardo EchevarríaMajorie KanterAchilleas Kentonis María Papacharalambous

Oswaldo Macià    Cuando los perros ladran     www.oswaldomacia.com

Leopold KesslerAlarm bikehttp://www.leopoldkessler.net/www/index.html

07prta1181

 MADRID ABIERTO is an international artistic initiatives programme which is held throughout the month of February in the junction Paseo de la Castellana-Recoletos-Prado since 2004. It is an avenue for approaching the interpretation and comprehension of how the public space is constructed from the sphere of art. Since its first open invitation announcement it has received more than 1.200 proposals. Out of all the projects presented, 29 were exhibited in the previous three editions and 13 will be exhibited this year, selected by different juries comprised by international experts.

Organised by the Cultural Association MADRID ABIERTO, the 2007 edition of the programme is promoted by the Altadis Foundation, the Department of Culture and Sport of the Autonomous Community of Madrid and the Governing Department for the Arts of the City Council of Madrid, with the collaboration of the Telefónica Foundation, La Casa Encendida of Obra Social Caja Madrid, the Ministry of Culture, ARCO, Radio 3 of RNE, Círculo de Bellas Artes, Canal Metro, Cemusa, Centro Cultural de la Villa of Madrid, Remo, Mediazero and Metro.

For this fourth edition, which will be held from the 1st to the 28th of February, a total of 658 projects were presented; 471 for the general invitation, 61 for the façade of La Casa de América, 28 for the façade of Círculo de Bellas Artes, 74 works for Canal Metro and 24 sonorous initiatives for Radio 3. The breakdown by countries of the projects presented is as follows: Spain (174), Italy (46), USA (46), Mexico (40), Argentina (33), Germany (28), Colombia (28), France (25), Brazil (18), Canada (16), Cuba (16), Ecuador (14), Chile (13), The Netherlands (13), Portugal (12), Ireland (9), Sweden (9), United Kingdom (9), Venezuela (9), Japan (7), Austria (6), Yugoslavia (6), Australia (5), Peru (5), Belgium (4), Costa Rica (4), Finland (4), Norway (4), Poland (4), Turkey (4), China (3), Croatia (3), Slovenia (3), Russia (3), Switzerland (3), Uruguay (3), Bulgaria (2), El Salvador (2), Georgia (2), Guatemala (2), India (2), Iceland (2), Israel (2), New Zealand (2), Czech Republic (2), Cyprus (1), Denmark (1), Estonia (1), The Philippines (1), Greece (1), Hungary (1), Latvia (1), Lithuania (1), The Dominican Republic (1), Serbia (1) and Singapore (1).

The selection committee was comprised by Juan Antonio Álvarez-Reyes (curator of Madrid Abierto 2007), Ramon Parramon (director of Idensitat), Cecilia Andersson (director of Werk) and Guillaume Désanges (co-ordinator of art projects in Les Laboratoires D’Aubervilliers, Ille de France). We declared the project for the façade of Círculo de Bellas Artes unfulfilled and pre-selected thirty projects, from which the curator finally selected Fernando(We were young. Full of life. None of us prepared to die) by the collective Discoteca Flaming Star; proyecto_nexus* by the collective [nexus*] art group; I Lay My Ear To Furious Latin by Ben Frost; Rezos/Prayers by Dora García;Pictures by Mandla Reuter; Guantanamera by Alonso Gil and Francis Gomila and Short Circuit/Cortocircuito by Dirk Vollenbroich. In addition to these seven selected projects, the current edition is complemented by other projects from artists invited by the curator: Dan Perjovschi, Susan Philipsz, Johanna Billing, Leopold Kessler, Oswaldo Maciá and Annika Ström. Through this mixed selection model our intention is to continue to make progress in our objective of broadening each annual proposal of MADRID ABIERTO.

In this year’s edition, for the first time, two specific invitations for audiovisual and sonorous works were announced, which were selected by the curator, myself, Arturo Rodríguez and José Iges. The following 11 works were selected for projecting on Canal Metro: Rothkovisión 3.0 by Daniel Silvo; Mierda de caballos y príncipes by Fernando Baena; Rest by Carolina Jonsson; Every Word is becoming by Alexander Vaindorf; Alpenflug (Alpine Flight) by Juan Carlos Robles; Himno by Cristian Villavicencio; PlasmaLux06-7 by Tanja Vujinovic-Zvonka Simcic; Mis Quince by Alfredo Pérez; Lucía by Pere Ginard and Laura Ginés; Candy by Mai Yamashita and Naoto Kobayashi and The Toro’s Revenge by María Cañas. For broadcasting on Radio 3, the following 8 works were selected: Am I walking by Jouni Tauriainen; Bendicho juez de la verdad by Eldad Tsabary; Reiterations (Elizabeth Street) by Sonia Leber and David Chesworth; Postal Densa. Postal Sonora. Madrid-Bogotá by Mauricio Bejarano; Alkaline by Paul Devens; Funkenspiel by David Halsell; Poema Jazz (a Clara Gari) by Luis Eligio Pérez and BihotzBi by Zuriñe Gerenabarrena.

Likewise, following on with the work of the previous editions, E451 continues to develop the graphic image and web page and, for the second year running, together with various debate tables on public art, the selected artists will present their work in La Casa Encendida on the 1st and 2nd of February.

We are continuing the process of creating an initiative of a scale manageable by a small team without a permanent or continuous structure, based on an open invitation announcement geared towards the production of ephemeral or temporary projects for the public space of the city of Madrid.

Jorge Díez

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 TECHNICAL REQUIREMENTS

– private apartment in the center of Madrid

– budget for furnishing the place

– sound system

– video, dvd facilities

– budget for further invitations publications on paper

07prtc1301

 The project described below is a work I developed and realised in 2005 in the city of Warsaw, Poland.

For Madrid Abierto I propose a variation of this apartment project. It will be similar to the work in Warsaw as it will involve a private apartment in the center of Madrid as the starting point of the project.

As Madrid Abierto is meant as an exhibition in public space I will develop the work outgoing from an apartment within the city, which can be considered as the most private space as such. The apartment will be twisted within the project into a public or semi-public space, as the possibilties of accessing it through the public will be changed, as well as there will be certain things happening, both suitable for the very private as for public space.

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C/ Antonio Acuña, 18 7º Dcha. February 8,15 and 22: 19 H 

07intd1424

VÍDEO CASERO, 1999FrankfurtEn colaboración con Alexander Wolf.

Un apartamento privado fue alquilado durante un mes en Frankfurt. Durante este tiempo se mostraron 5 o 6 películas diarias de 17:00 a 2:00 de la madrugada. La lista contenía unas 150 películas que eran, de algún modo, típicos videos caseros. Las películas eran reproducidas por orden alfabético como aparecía en la tarjeta de invitación. La programación diaria era transmitida por un contestador telefónico y en un programa de radio local. La situación en el apartamento vacilaba entre ver vídeos de modo privado con amigos y sentarse en el sofá de un apartamento con absolutos desconocidos que se habrían hecho con una invitación.

à bout de souffle the abyss the addiction lʼage dʼòr akira alice`s restaurant alien hombre lobo americano as tears go by auch zwerge haben klein angefangen malas tierras teniente corrupto the bad sleep well barbwire barfly batman belle de jour bennys video die bettwurst the birds die bitteren tränen der petra v. kant blade runner blowup bodysnatchers bonny & clyde das boot la boum boyz ʻn the hood braindead brazil desayuno con diamantes bullet in the head buster keaton butch cassidy & the sundance kid el cabo del miedo carrie el color del dinero convoy crash darkstar days of heaven dead man el cazador dirty dancing der diskrete charme der bourgeoisie dobermann tarde de perros donnie brasco der dritte mann teléfono rojo volamos hacia Moscú das duell dune der ekel the exorzist face to face fallen angels fargo faster pussycat! kill! kill! femaletrouble the fog fitzcarraldo freaks the fugitive funny games ghost in the shell goldfinger the las uvas de la ira hana-bi heavy traffic hellraiser the heroic trio i hired a contract killer independence day jackie brown la escalera de Jacob kids kika the killer king kong king of n.y. die klapperschlange ein kurzer film über das töten lethal weapon liquid sky living in oblivion lohn der angst lolita mad max man bites dog der mann, der vom himmel fiel el mariachi mein name ist nobody der mieter the misfits moby dick motorpsycho asesinos natos 1984 nostalghia north by northwest the omen once upon a time in america once upon a time in the west outbreak die outsider der pate permanent vacation pink flamingos quadrophenia rambo reservoir dogs rio grande robocop rocky romper stomper rosemaries baby satyricon scarface the searchers secrets and lies short cuts sid & nancy the silence of the lambs der sinn des lebens slate, wyn and me snake eyes sommer der liebe der stadtneurotiker starship troopers starwars stille tage in clichy strange days tag der idioten tanz der teufel taxi driver terminator tykho moon titanic tokyo fist total recall die unbestechlichen united trash die unzertrennlichen violent cop wargames war of the worlds der weiße hai cuando éramos reyes white of the eye wild at heart wilde erdbeeren wild things wir kinder vom bahnhof zoo wut im bauch zabriskie point

07inme3809

 Mandla Reuter’s Pictures is the transformation of a private flat in Madrid into a cinema showing current mainstream movies, which at the same time are also running in blockbuster theatres in Madrid and elsewhere, worldwide. A large light sign on the building’s façade announces the movie being screened, connecting the interior of the flat-turned-movie theatre with the exterior of the city.

Rather than commenting on a lack of space, Pictures negotiates ideas about access and space’s potential. Privacy is erased to make an intimacy in public space possible: you could say that the work does not offer a public service as much as an ‘intimate service’. This intimacy, however, gets a double-edged function in relation to the glamour of Hollywood that the sheer size and particular architecture of multiplex cinemas is meant to convey. What will big Hollywood stars look like when they are squeezed into a small Madrid flat? Will they still be the main attraction of the place, or will the massive projector take centre stage? In this way Reuter is doing a versioning of the movie industry much akin to the way Andy Warhol invented his own ‘small stars’ in films such as Chelsea Girls, a closet drama in which the actors projected their glamorous selves through improvisation. In Reuter’s Pictures what is at stake is again the co-habitation with stardom through a kind of playful parasitism on the illusionism of culture industry.

The transformation of space is aligned with other works of Reuter’s, first and foremost Invitation (with Alexander Wolff), in which together with an invitation card 400 keys were distributed to a flat in Warsaw. His predilection for the movie industry is also apparent in 3105 Cinestar-Original (2006) consisting of a soundtrack of a blockbuster movie played back in an art gallery. Accompanied by the audience’s coughs and crackling of sweets bags, the soundtrack becomes a kind of “polluted readymade”. By lifting the soundtrack a transport of spaces is brought about: the illusory space of the movie industry is added to the gallery, while the memory of a film is at the same time conveyed and withheld.

Reuter’s ambivalent attitude towards the material he appropriates can be framed by Jacques Derrida’s hybrid term ‘hostipitalité’ which denotes an unconditional hospitality that plays on the fact that ‘hospitality’ and ‘hostility’ comes from the same root, ‘hospis’. Based on openness, on total hospitality and inclusiveness, Reuter’s project also becomes a public arena where democratic sentiments can be played out – in peaceful as well as potentially antagonistic ways.

Lars Bang Larsen

07intc1389

GLASGOW, 1965LIVES AND WORKS IN BERLINWORK EXPOSED IN MADRID ABIERTO: PICTURES

SOLO EXHIBITIONS 2007    ·    Flaca, London

2006·    Isolated human particles floating weightlessly through a magnetic field of fabricated Pleasure, occasionally colliding ·    rraum, Frankfurt, c. 1822–Forum, Frankfurt, c. ·    Tirana, Albania ·    Kerstin Cmelka, Kunstraum Doppelzimmer, Gießen ·    Time Has Ceased Space Has Vanished, Four, Dublin ·    Invitation, Warsaw ·    Mandla Reuter, Dresdner Bank Hochhaus, c.

2003     ·    offspace, Vienna ·    Make it New, Frankfurt am Main

2002     ·    Mandla Reuter / Michael Pfrommer, GAK, Bremen

2001     ·    Wohnung Draschan/ Wolff, Grüngasse, Vienna ·    Warteraum, Stellwerk, Kulturbahnhof, Kassel

2000     ·    Frühe Arbeiten, Galerie Slutzky, Frankfurt am Main c.

1999     ·    Homevideo, Frankfurt/ Main

GROUP EXHIBITIONS 2007    ·    Madrid Abierto, Madrid

2006    ·    The Possibility of Being Real Part One, Autocenter, Berlin ·    Société des Nations, Circuit, Lausanne ·    TV as Fireplace, Kunsthalle Wien ·    Für die Ewigkeit, Jet, Berlin, c. ·    Attitude, c/o Atle Gerhardsen, Berlin ·    Oktagon, Dresden, c.

2005     ·    M, Dresden ·    Conquering New Spaces, National Gallery, Prishtina, Kosovo, c.

2004     ·    Deutschland sucht, Kölnischer Kunstverein, Cologne, c. ·    Erklärender Expressionismus, Dresden ·    Sputniza, Kunsthaus Dresden

2003     ·    heute, HMWK Wiesbaden

2002     ·    Kunsthof Zurich ·    Rraum02, Frankfurt am Main ·    Diplomaten der Städelschule, Frankensteinerhof, Frankfurt am Main, c.

2001    ·    Vasistas, Technische Universität Istanbul, Istanbul Biennale ·    Junger Westen, Kunsthalle Recklinghausen, c.

2000     ·    Büropark, Frankfurterstrasse, Neu Isenburg, c.·    Studio Hyäryllistä, Turku, Finland·    Festival Junger Talente, Messe Offenbach, c.

1999     ·    Jailbreak, Phantombüro im Kunstverein Frankfurt, Frankfurt am Main ·    The Academy of Fine Art Gallery, Helsinki, Finland

1998     ·    Nr. 87, Portikus, Frankfurt am Main, c. ·    Videocity , Videocity, Frankfurt am Main c. catalogue

OTHERS2006     ·    Pigment Piano Marble, Buenos Aires, curated group show with Nevin Aladag, Michael Beutler, Wolfgang Breuer, Kerstin Cmelka, Eduardo Costa,Manuel Gorkiewicz, Rodney Graham, Gregor Hildebrandt, Sergej Jensen, Alfred Johansen, Michael Krebber, David Lamelas, Mark Leckey, Maria M. Loboda, Christian Mayer, Yves Mettler, Ariane Mueller, Kim Nekarda, Michael Pfrommer, Kirsten Pieroth, Jay Chung & Q Takeki Maeda, Bernd Ribbeck, Claus Richter, Cecilia Szalkowicz, Jan Timme, Alexander Wolff, X and the Living End, Haegue Yang, Heimo Zobernig, c.2004     ·    Ausstellungen Studio Reuter, Dresden, shows with Peter Lütje/Michael Pfrommer, Kim Nekarda/Alexander Wolff, Sascha Pohle/Barak Reiser, Sabine Reitmeier/Claus Richter, Kerstin Cmelka/Thomas Seidemann, Gregor Hildebrandt/Alicja Kwade, Manuel Gorkiewicz/Christian MayerManuel     Gorkiewicz/Christian Mayer, Michael Part/Taner Tümkaya

GRANTS2005     ·    Kunstfonds Bonn

2004     ·    Hessische Kulturstiftung

2003     ·    Dynamo/Eintracht, Kulturstiftung Dresden

PUBLICATIONS2006     ·    Untitled, 2006, Revolver·    Pigment Piano Marble, 2006, Revolver (ed.)

2004    ·    Tokyo Panda, 2004, Revolver

2001    ·    Frühe Arbeiten, 2001, junto con Michael Pfrommer

07prtb1200

(November 2006)

07inib1337

INVITATION, WARSAW, 2006

For the duration of half a year an apartment in the city of Warsaw will be rented. It will be equipped with furniture necessary for a basic living like a bed, a table and some chairs. The appearance of the flat should be as neutral as possible.

The project that is announced as an exhibition consists of the distribution of duplicated keys to as many people as possible in different venues, where we will be staying during the period of the project. This could be e.g. Frankfurt, Berlin or Istanbul.

The aim of the project is, to soften the boundaries between a private apartment and a public space by increasing the number of people having access to the place.

A space then could be defined as a sort of public space as soon as a certain number of keys are distributed/circulating.

The keys are distributed via personal handout together with an invitation card that describes the specification of the project. A large number of people will have the possibility to visit this apartment and get an active part of the exhibition. There is no schedule that would give an insight of how the flat is frequented; therefore the permanent possibility of casual encounters is most likely.

An essential part of the project is the act of the personal handout of the keys and their distribution to various people worldwide. A potential of diverse possibilities are introduced through the speculative dimension that is inherent to the project. The owners of the keys are deciding themselves about the possible varieties.

Another part of the project is seen in the choice of the city. Taking Warsaw as the starting point of the exhibition concept is explained within the geographical coordinates of the city, that demands awareness for the specific location.

Despite of the public/private apartment theme that lays within the project, it shall also function as a kind of social platform, and an offer to people to travel to another place.

Although we will try to do as much as possible ourselves to realise the apartment project, it will be necessary to work together with one of the Warsaw based institutions and people in matters of organisation and maintenance of the flat.

The project in Warsaw was realised with support of Buero Kopernikus, www.buero-kopernikus.org and e-flux.

INVITATION, 2006in collaboration with Alexander Wolff

Central point of the work is the distribution of a set of keys to an one bedroom appartment in Warsaw to various people. As there are consisting as many keys as invitation cards, more or less 500 and there are about as many potential owners of place, the apartment looses it`s quality as a private housing and becomes a kind of public space as for example a museum could be. The apartment is equipped corresponding to its size for one to two persons.

Although the apartment was located in Warsaw, the project in whole was not based on a certain place, as the distribution and personal handout of the keys and invitation card was already an essential part of it and the owners of the keys could wander around with them anywhere with the knowledge having access to an apartment in Warsaw.

HOMEVIDEO,1999in collaboration with Alexander Wolff

A private apartment was rented for one month in Frankfurt City. During this time 5 to 6 movies were shown daily from 5pm to 2am. The list contained about 150 movies which were in a way typical homevideos. The movies were shown in alphabetical order as printed on the invitation – card. The daily program was announced on an answering machine and on a local radio broadcast. The situation in the apartment was dithering between watching videos privately with friends and sitting in an apartment on a sofa with total strangers who got hold of the invitaion card.

à bout de souffle the abyss the addiction lʼage dʼòr akira alice`s restaurant alien hombre lobo americano as tears go by auch zwerge haben klein angefangen malas tierras teniente corrupto the bad sleep well barbwire barfly batman belle de jour bennys video die bettwurst the birds die bitteren tränen der petra v. kant blade runner blowup bodysnatchers bonny & clyde das boot la boum boyz ʻn the hood braindead brazil desayuno con diamantes bullet in the head buster keaton butch cassidy & the sundance kid el cabo del miedo carrie el color del dinero convoy crash darkstar days of heaven dead man el cazador dirty dancing der diskrete charme der bourgeoisie dobermann tarde de perros donnie brasco der dritte mann teléfono rojo volamos hacia Moscú das duell dune der ekel the exorzist face to face fallen angels fargo faster pussycat! kill! kill! femaletrouble the fog fitzcarraldo freaks the fugitive funny games ghost in the shell goldfinger the las uvas de la ira hana-bi heavy traffic hellraiser the heroic trio i hired a contract killer independence day jackie brown la escalera de Jacob kids kika the killer king kong king of n.y. die klapperschlange ein kurzer film über das töten lethal weapon liquid sky living in oblivion lohn der angst lolita mad max man bites dog der mann, der vom himmel fiel el mariachi mein name ist nobody der mieter the misfits moby dick motorpsycho asesinos natos 1984 nostalghia north by northwest the omen once upon a time in america once upon a time in the west outbreak die outsider der pate permanent vacation pink flamingos quadrophenia rambo reservoir dogs rio grande robocop rocky romper stomper rosemaries baby satyricon scarface the searchers secrets and lies short cuts sid & nancy the silence of the lambs der sinn des lebens slate, wyn and me snake eyes sommer der liebe der stadtneurotiker starship troopers starwars stille tage in clichy strange days tag der idioten tanz der teufel taxi driver terminator tykho moon titanic tokyo fist total recall die unbestechlichen united trash die unzertrennlichen violent cop wargames war of the worlds der weiße hai cuando éramos reyes white of the eye wild at heart wilde erdbeeren wild things wir kinder vom bahnhof zoo wut im bauch zabriskie point

07prmc1304